Create spaces from one cubic centimeter to one cubic kilometer for ultimate control of your reverbs with this new processing plug-in from Polyverse.
Polyverse Music proudly presents Comet - a reverb with unparalleled lushness and versatility. Comet can create spaces from one cubic centimeter to one cubic kilometer, boasts a uniquely rich and musical detune algorithm, and can divide its pre-delay and glide into rhythmic subdivisions.
Comet also has the ability to generate decay times from a microsecond to infinity and morph between 5 independent presets in real time. However, Comet’s true brilliance is in its refinement. Rather than cloning or emulating a reverb, Comet was created to be pristine, dramatic, and totally unique.
Features
An unbelievably smooth and beautiful reverb
Five interchangeable preset morphing slots
Glide control to morph between parameters
Pre Delay & Glide available in milliseconds and rhythmic subdivisions
Lockable parameters for consistency between presets
Uniquely rich and musical detune algorithm
Saturation module from input gain for extra density
Pricing And Availability
Comet is available in VST, AU, and AAX formats, making it compatible with a variety of host applications including Ableton Live, Logic, Pro Tools, Cubase, Reason, and Studio One. It can be used in 32/64-bit instances with Windows XP and up, as well as Mac OS X 10.6 and up.
Comet’s beta version is available immediately from Polyverse Music for the introductory price of $99 USD. At full release, Comet will be available at its standard price of $149 USD. For more information about Comet, please visit https://polyversemusic.com/comet
Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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