Save big on this monster virtual instrument for one week only, in celebration of a year since its launch. Here's how.
When we looked at DRONAR Master Edition we found it to be an absolute treasure trove of textures, ambiences, leads, rhythms and atmospheres. You can read our review here. To celebrate a year since its release, Time & Space are offering a significant discount. For one week only it will be available for £185.40 inc VAT, instead of the regular price of £309.
Key Features
Developed for the free Kontakt Player
30GB (50GB uncompressed) sounds
2,068 presets
Sounds derived from the first 8 DRONAR modules
Mix and match raw audio for millions of combinations
Create rich atmospheres, textures, pads and soundscapes
Sound sources range from strings, synths, brass, metal, glass, found objects and more
Perfect for composers and sound designers, highly useful for anyone requiring pads and atmospheres for their music
Simple to use but offers opportunity to dive deeper with extensive features
7 pages of controls – Main, Sounds, Rhythm Editor, Arpeggiator, LFO and FX, Expert, Master FX
NKS compatible
New engine for faster loading
How does it work?
Create rich and dramatic atmospheres from a very small number of notes played. DRONAR automatically spreads out the chord in the mid-range, adds a root bass note, a high note and then adds evolving sound effects. The eight simultaneous different sounds are then animated with LFOs, a rhythm sequencer and arpeggiators to bring them to life.
What’s more, this sonic complexity from one hand frees up the other to expressively control dials with mouse drags or external MIDI controller knobs, and record the changes as a performance in your DAW.
Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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