If you're part of Novation's Sound Collective here's some great news - you can get iZotope's Trash 2 multiband distortion plug-in completely free for a limited time. Here's how.
Great news for members of Novation's Sound Collective - the company has unveiled the latest offer for members: the availability of iZotope’s Trash 2 plug-in for free download from 8th August to 3rd October.
A multiband distortion unit on steroids, Trash 2 applies two adaptable distortion algorithms – chosen from a menu of over 60 options or user-designed – to each of up to four bands, as well as a pair of six-band filters with 23 filter types, convolution spatial processing, multiband compression and gating, and delay. Whether you want to add a touch of gently enhancing abrasion to a bassline or get wildly experimental on a drum loop, Trash 2 gives you everything you need to do it in a powerful but easy-to-use plug-in.
Key Features
- 60+ distortion algorithms
- Graphic waveshaper for custom distortion curves
- Up to four processing bands, with two distortion stages per band
- Two-stage filter with six adjustable bands per stage and 23 filter types
- LFO and envelope-following (internal or sidechained) filter modulation
- DC Offset Filter and Logarithmic Distortion modes
- Convolve module with 100+ impulse responses and WAV/AIFF import
- Analogue-modelled multiband compression and gating with sidechain input
- Delay module with six delay styles, distortion and post filtering
- Freely configurable signal path
- Extensive metering and visual feedback
The free download is available from 8th August to 3rd October 2019.
Hollin Jones Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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