Get control over your sounds in ways you never thought possible with this new plugin that advances the Build Your Own Modular Effect system.
SANTA CRUZ, CA, USA: Plugin Alliance, supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of TRIAD — the latest creation from fellow Californian company and plugin-creating partner Unfiltered Audio, advancing the successful outcome of last year’s award-winning BYOME (Build Your Own Modular Effect) breakthrough by combining state-of-the-art processing, versatile modulation, and dozens of powerful effects with a limitless multi-band workflow as the world’s most advanced multi-band processing plugin.
Features
Flat-Sum Frequency Splitter with adjustable per-band gain automatically routed to multiple BYOME effect rows
Mid-Side, Left-Right, and Parallel modes are also included for maximum effect routing possibilities
Quick workflow features: permutate, per-row load/save/copy/paste, and an interactive visualizer
Dynamic Spectral Snap feature allows automatic frequency cutoff balancing- the first such effect in the industry
Individual low/mid/high band outputs are available in most DAWs, meaning that Triad can be used as a fully routable splitter
Variable slope allows you to change from smooth band transitions to razor sharp cutoffs (12dB to 72dB per octave)
Loads all BYOME presets
Unfiltered Audio’s TRIAD is available for purchase — as an AAX Native-, AU-, VST2-, and VST3-supporting audio effect processing plugin for MacOS (10.9 through 10.14) and Windows (7 through 10) — exclusively from distribution partner Plugin Alliance for an introductory price of $149.00 USD until June 24, rising to $299.00 USD thereafter.
Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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