With some excellent 3rd party time-stretching algorithms available is there any need for DAWs to provide their own? Mo Volans investigates time-stretching in Reason 6 and shares his excitement!
Peter Schwartz lets his fingers do the talking when using Logic's Score editor. He illustrates how to create multiple key command setups which makes editing in Logic a much more enjoyable experience.
There are a few vital production techniques to help make your music shine. Mid/Side processing is one such technique which Gary Hiebner approaches from multiple angles
Whatever bass sound you're looking to create, Trilian by Spectrasonics obliges! Hollin Jones gets mucky showing how to create a dirty bass sounds using this incredible instrument.
Whether you're new to The Hub or a regular reader here's a recap of 10 of the most popular articles (reviews, tutorials and freebies) from the month of November. These were voted for by you...
After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.
Programming electro (or acoustic) drums needn't result in robotic sounding, grooveless beats. Mo Volans adds a human touch to his rhythm section in Ableton Live.
Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.
Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.
Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.
When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.
Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.
The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.
Creating a club edit or a radio edit of your finished track inevitably involves some artistic compromise. Gary Hiebner shows some practical steps involved in creating radio edits in Logic Pro.
In this MPV Free Stuff, Peter Schwartz has conjured up a Logic Pro environment to give you unparalleled control over EastWest's Play Instrument. Read on for full instructions and download link.
Once you're done working on your music in Reason 6 it's time to export the song, or even export parts of the project so it can be mixed by someone else. Hollin Jones runs through all the options.
A thin, weak kick drum can single-handedly undermine the impact of a decent mix. GW Childs ditches his diet in a bid to fatten up his kick drum using Ableton's compressor and reverb plugins.
Using keyboard shortcuts can save you lots of time over trawling through menus with your mouse. Cubase 6 takes efficiency to the next level; Macros that combine multiple shortcuts in one keystroke.
GarageBand for iPad has some useful additions over its Mac-based sibling. One of these, Smart Instruments, enables anyone, regardless of musical ability, to play an instrument. Hollin Jones explores.
Sculpture's intricate interface means it often gets overlooked as a sound design tool. Richard Lainhart plucks away at this physical modeling instrument and shows how to create a sitar-like sound.