The latest update to Final Cut Pro (10.0.6) brings with it many useful additions, including native REDCODE RAW support. Ben Balser shares some essential RED tips for FCP X users.
One of the marquee features in the FCP X 10.0.6 update is multichannel audio editing. Ben Balser gets deeper and shows the workflow for editing audio in the latest incarnation of Final Cut Pro.
The included titles in FCP X and Motion are great but will probably only take you so far before you want to modify them to suit your needs. Iain Anderson shows you how to do just this!
Take an in-depth tour of the rough cut to refined edit workflow in Final Cut Pro X with Kiri Roberts, Apple Authorised Trainer, and video editing professional.
What is the default event and why is it important for Final Cut Pro X users to understand? Ben Balser, FCP X trainer and genius shows how the default event can make for a better workflow.
Learn how to create pulsating audio speakers that react to real sound using Motion. Ben Balser reveals how Motion's Link parameter behavior makes this a cinch!
New or transitioning to Final Cut Pro X? This 6-part series provides will get you editing like a pro. In part 5 Iain Anderson explores transitions, titles and effects. Check back tomorrow for part 6.
New or transitioning to Final Cut Pro X? This 6-part series provides will get you editing like a pro. In this tutorial Iain Anderson explores color grading. Check back tomorrow for part 5!
New or transitioning to Final Cut Pro X? This excellent 6-part series provides will get you editing like a pro. In part 3 Iain Anderson explores fine cut techniques. Check back tomorrow for part 4.
New or transitioning to Final Cut Pro X? This excellent 6-part series provides will get you editing like a pro. In part 2 Iain Anderson explores rough cut techniques. Check back tomorrow for part 3.
New or transitioning to Final Cut Pro X? This excellent 6-part series will get you editing like a pro. In part 1 Iain Anderson explores importing and organizing your footage.
When it comes to speed editing, Final Cut Pro 7 was up there with the best NLEs. In this tutorial Ben Balser demonstrates that FCP X is no slouch either when editing with precision is required.
If you want to create a slow-motion effect in FCP X chances are you'll reach for the Retiming tool, right? Ben Balser shares an alternative technique for higher quality results.
Struggling to find the footage you need when you need it? Ben Balser, FCP X guru, explores how to sort the wheat from the chaff using Custom Metadata Views in Final Cut Pro X.
How has the multi-camera workflow changed from its birth to now? Final Cut Pro Trainer, Kiri Roberts, explores the history and tracks how it's become easier since FCP 5 all the way to FCP X.