Lady Gaga has taken the pop world by storm over the past few years. Learn how to re-create (in Logic or your DAW or synth of choice) the bass synth from her hit single "Edge of Glory".
InDesign's Glyph panel makes working with symbols a breeze. Adobe Trainer, David Smith, shows us step by step how to save time and effort by using the Glyph Panel in this quick tip.
How can you make Logic's Score Editor display your music the way you want it to be seen? In this tutorial, Peter Schwartz shares essential Staff Style tricks to make that happen.
Whether you're mastering yourself at home or sending out to a studio, understanding what intersample Peaks are and how to avoid them is essential. Victor Mason talks intersample, DAC and distortion.
GarageBand for iPad recently received a significant .0.1 free update. It might not sound like much, but Mike Watkinson uncovers the new features and how that'll affect how make music on your iPad.
One of the most overlooked tools in Reason has to be the LFOs present in synthesizers like the Subtractor, Malstrom, Thor, etc. GW Childs take a closer look at the available LFOs in Reason.
In this Quick Tutorial, we'll do a quick comparison of the noise reduction capabilities of BIAS Peak's SoundSoap PL plugin and Apple Soundtrack Pro's built-in noise reduction. Let's get started.
While it's possible to easily customise many aspects of OS X, changing your shortname (the name that appears next to your Home Folder icon) is a bit more tricky. Gary Heibner shows us solutions...
**CONTEST NOW CLOSED** Simply sign-up for a free macProVideo.com account and download free SampleWiz samples and enter the 'Name That SampleWiz Sound' contest courtesy of Jordan Rudess.
Final Cut Pro X has some hidden editing tricks up its sleeve! Michael Wohl (macProVideo.com Star Trainer) demoed highlights from his mPV FCP X video tutorials specially for LAFCPUG members.
Automation can add life and a dynamic quality to a mix. Knowing how to edit, scale and trim this data after the fact is essential. Mike Watkinson shows you how to do just this in Logic and Pro Tools.
So you've created excellent, pixel-perfect vectors in Illustrator. What next? Import them into Photoshop with ease. In this tip (with project files included) learn how to use Vector Masks in PS CS5.
Many of Color's (now discontinued?) features have been built in to FCP X. in the 3rd and final part of this mini-Color series, join David Smith, Apple Certitifed Trainer, to learn more
Have you ever been underwater (the sea or even in the bath) looking up as light rays illuminate the water? If, so you know how magical it can feel. Learn how to recreate this scene in After Effects.
In this third and final article in my series on Score Sets in Logic Pro, we're going see how Score Sets can be used to create two different score displays from the same parts in the arrangement.
Arguably the most accessible, enjoyable and cool music program on the planet, Reason just got an upgrade. Version 6 combines the audio recording, editing & the mixer from Record...
Turning your ideas into a music doesn't stop once you've finished recording. These tips on arranging your session will help you save time when experimenting with your arrangement.
Amplitube 3 gives you amazing guitar sounds at your finger tips - literally! To really bring your shredding alive learn how to use Amplitube's Parameter assignments and automate your axe in real time.
There's no doubt that GarageBand for iPad is a great app (see various articles) but are there any alternatives that are worth your hard-earned iTunes vouchers?
Many musicians have a MIDI Synth lying around gathering dust. Still in love with its analog sounds? Want to sample its sounds into your software sampler? Redmatica's AutoSampler 2 holds the key.
It's a lot of fun using sound to drive animations in After Effects. In Part 2 of this series, Toby Pitman takes you deeper into Arrays, Variables and Controls to create stunning visual effects.