Comping—making a comp (composite) track from multiple takes—is an editing procedure that’s widely used in music production. Here’s a brief look at what’s involved.
You're just finishing recording audio on your phone and boom, the doorbell goes, or some other such unwanted happening. Or perhaps the backgrond noise was quite high. Here's what you can do about it.
Adobe's wave editing package has much to recommend it to musicians and audio producers. Here, Matt Vanacoro shares 5 of his top tips for getting the most out of it.
If you were recording before DAWs the chances are you had to be handy with a razor blade. But why? Joe Albano explains how some techniques have changed and others remain the same.
RX7 is capable of some amazing tricks, and isolating, separating and remixing audio sources is one of its most impressive. Joe Albano shows you how it's done.
The recent new updates to both Apple's Logic Pro X and Celemony Software's Melodyne results in better integration and significant workflow improvements for producers when editing audio.
iZotope's RX suite of audio repair modules is usually thought of as a post-production or mastering tool, but it has many music and mixing applications as well. Here are a few of them.
Sound Forge receives its most significant update in years with a host of new features under the hood as well as new plug-ins and editing tools. Hollin Jones put it to the test.
Modern DAWs allow us unprecedented freedom to edit audio, but there are plenty of potential pitfalls. Here's Joe Albano with five pro tips for avoiding those dreaded editing mistakes.
Adobe's clever Dynamic Link feature means no tedious exporting and importing. Just harness the power of both apps to get much more detailed control over your sound than Premiere normally allows.
How can you get the perfect take if your performer doesn't always get it right? The answer is comping, and Joe Albano explains what it's all about in this bite sized video.
The process of audio editing is infinitely more powerful since the advent of the digital era. Joe Albano compares how it used to be with how it is now, and showcases what you can achieve with your DAW
RX6 is a highly capable sound design tool in its own right. In this video, Timo Preece demonstrates how it can be a creative as well as a forensic tool.
Unpicking audio elements from an already-mixed file is the holy grail of audio production. Joe Albano looks at the state of play, and what's currently possible in this field.
The audio capabilities of Adobe's video editing suite have improved dramatically in recent years. Here are some pro tips for sharpening up your sound editing skills.Â
VocALign Pro 4 automatically analyzes the patterns of two audio signals and edits one to match the timing of the other. If you're editing audio could this be your new best friend? Sara Simms finds out
When it comes to audio editing in FL Studio, Edison is my go-to tool. It's bundled with great features to edit and even manipulate your audio. Let's take a look at how it ticks.
While editing audio is much more flexible than ever before, converting audio into MIDI can add another level to our ability to change a recording. Gary Hiebner shows how to do this in FL Studio.
To get really great voiceover for video you sometimes have to go beyond the basics'¦ Join Hollin Jones in the 2nd of this 2-part series on repairing audio for video.