The addition of a Curves tool in FCP X 10.4 is music to the ears of many editors, finally bringing Photoshop-style tonal control to video. Iain Anderson shows you why it's such a great feature.
Shooting with a Blackmagic cinema camera? Want to understand differences between Film and Video modes and make your footage look its best using Coremelt effects? You've come to the right place!
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
Correcting "flat" picture profiles from modern DSLR cameras, to add contrast and saturation, need not be a chore! Iain Anderson uses Final Cut Pro X and Motion to good effect in this tutorial.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Many of Color's (now discontinued?) features have been built in to FCP X. in the 3rd and final part of this mini-Color series, join David Smith, Apple Certitifed Trainer, to learn more
The separate Color application may be gone but FCP X has powerful control over color. In Part 2 of this mini- FCP X Color series, David Smith takes us through the built-in Color Saturation controls.
Color is dead. Long live the new color correction tools built right in to Final Cut Pro X! David Smith explores how good they really are for adjusting the exposure levels in your video footage.
Jaw-dropping visual effects and animation in film are becoming more and more sophisticated and more expensive. It seems every year it requires more wizardry and money to create a sense of awe and wond