Shooting with a Blackmagic cinema camera? Want to understand differences between Film and Video modes and make your footage look its best using Coremelt effects? You've come to the right place!
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
Correcting "flat" picture profiles from modern DSLR cameras, to add contrast and saturation, need not be a chore! Iain Anderson uses Final Cut Pro X and Motion to good effect in this tutorial.
What to do if you've shot during the day but the director demands it looks like a night scene? Ben Balser shows how to add an authentic night scene without grain or noise in Final Cut Pro X.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Final Cut Pro X has color correction and color grading workflows built-in. No more round-tripping between separate applications. In this tutorial, David Smith turns Summer into Autumn in FCP X.
Many of Color's (now discontinued?) features have been built in to FCP X. in the 3rd and final part of this mini-Color series, join David Smith, Apple Certitifed Trainer, to learn more