Take an in-depth tour of the rough cut to refined edit workflow in Final Cut Pro X with Kiri Roberts, Apple Authorised Trainer, and video editing professional.
What is the default event and why is it important for Final Cut Pro X users to understand? Ben Balser, FCP X trainer and genius shows how the default event can make for a better workflow.
If you want to create a slow-motion effect in FCP X chances are you'll reach for the Retiming tool, right? Ben Balser shares an alternative technique for higher quality results.
Struggling to find the footage you need when you need it? Ben Balser, FCP X guru, explores how to sort the wheat from the chaff using Custom Metadata Views in Final Cut Pro X.
How has the multi-camera workflow changed from its birth to now? Final Cut Pro Trainer, Kiri Roberts, explores the history and tracks how it's become easier since FCP 5 all the way to FCP X.
What to do if you've shot during the day but the director demands it looks like a night scene? Ben Balser shows how to add an authentic night scene without grain or noise in Final Cut Pro X.
In the days of analog film, synchronizing audio from multiple recordings to match to video was a painstakingly slow and manual process! Final Cut Pro X, however has some powerful auto sync tricks!
Jeff Greenberg is a Master Adobe, Apple, and Avid Instructor in editorial, compositing, sound, color correction & compression. He popped by The Hub to chat about what's going on in the video world.
Below the simple interface of FCP X lies a variety of secret, power-user features. Iain Anderson reveals one such feature that'll speed up every editor's workflow.
Since the recent 10.0.1 update to Final Cut Pro X some very useful new features have been added. David Smith explores one of the most interesting of these new additions, Roles.
Ben Balser is one of the most well-respected & knowledgable Final Cut trainers. He has provided consultancy & training for editors in the biggest media networks in the US & has now joined macProVideo!
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with effects and filters.
Apple's FCP X ruffled more than a few feathers upon its release by omitting certain 'Pro' features. So what does this new free update (10.0.1) include? Is FCP X ready for prime time?
Final Cut Pro X comes bundled with some useful titles. If you want to roll your own, you can use Motion 5. Save yourself the work and download these FREE Titles for FCP X, created by Iain Anderson!
Final Cut Pro X has some excellent tricks up its sleeves. And Iain Anderson, Final Cut Trainer, shows how to apply some special FX to time-lapse footage without moving your camera!