In part 2 of this 4 part series on producing Hip Hop in Ableton Live, G. W. Childs explains the process and shows how to build the initial loop. Stay tuned for part 4 in this series coming soon!
Can't get your head around Ableton Live? Don't be put off! G. W. Childs highlights the similarities in Part 1 of this Transition to Ableton from any DAW series.
Wouldn't it be great if you could add random elements to your compositions so no two audition would ever sound the same? You can! Gary Hiebner opens up the generative side of Ableton Live (PART 2).
Wouldn't it be great if you could add random elements to your compositions so no two listens would ever sound the same? You can! Gary Hiebner opens up the generative side of Ableton Live
Anyone interested in generating random beats or other elements in their music will have experimented with Ableton Live. They may not, however, have realized just how useful the Grain Delay is.
Sidechaining is used extensively in all styles of music. It can be used to correct a mix, duck out a secondary audio signal or as a creative effect. But first you need to know how to set it.
Not all of us have a Neumann condenser microphone to run home to when the world seems like a cold dark place, and our vocals sound too thin. In fact, some of us have very limited microphone access, pe
Since Ableton Live 1.0 was unleashed, warping, looping and editing audio have become staples for digital musicians. Join Mo Volans as he continues this beginners guide to Ableton Live.