In Logic Pro there doesn't seem to be an easy way to randomize or humanize a MIDI performance. Jay Asher uncovers the Transform window where you'll find many excellent ways to manipulate MIDI.
Made a mistake when recording? No problem. Mike Watkinson shows how the old skool method of punching in and punching out in Logic Pro can be used to make it sound perfect.
Pedalboard in Logic Pro isn't just of guitarists. In this article, Mo Volans demonstrates how beats and drums can be processed with the suite of guitar style pedals for interesting effects.
One of the more unexplored areas of Logic Pro, the Environment, holds some of the most rewarding features. One of these, Touch Tracks, is widely unexplored'¦ until now, thanks to David Earl!
The folks at VSL have created an ingenious solution to loading large libraries outside of an application. Logic composer and guru, Jay Asher, shows how Vienna Ensemble Pro and Logic Pro can gel.
Want to learn how to create a sweet trance bass in Logic Pro? Darren Burgos, Logic guru and experienced mixing engineer and producer takes you step by step through the process in Logic's ES2 synth.
White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.
Parallel/New York Compression is all the rage right now to make that pumping sound but Serial Compression can also create impressive results. Gary Hiebner looks into the dynamics of audio!
What? A free plugin (included with every Mac) that can help you create a Deadmau5-style pitching build-up? Yes, it's true and Gary Hiebner shows you where to find it and how to use it.
Let's face it: Logic Pro is as deep as it's ever been, which means there are always some essential production tips you may not have come across before. Here are 5 workflows to add to your repertoire.
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?
Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.
Pitch correction has become a staple in the music producers toolbox. This tutorial shows how to use Logic's Pitch Correction plug-in without knowing your Bb major from G minor - with A+ results!
Whether invented by accident by Les Paul or, as others say, by Ken Townsend at Abbey Road in 1966 (and used on John Lennon's voice), automatic double tracking (ADT) is a way of thickening...
Recording audio. Whether you are a seasoned guitarist, a hobby vocalist or even an electronic musician, at some stage you'll want to record audio into Logic. In the second part of this series that's
In today's tip we'll explore some of Logic's powerful, yet underused Automation features. There are two types of Automation: Track-based and Region-based (HyperDraw - not to be confused with the Hyp