Take a look inside Avid's Instrument Expansion pack for Pro Tools 10 and you'll find some succulent software instruments to get your teeth into. Mike Watkinson uncovers the luxurious Velvet.
If you are a Pro Tools user and want to speed up your workflow the Commands Keyboard Focus shortcuts will help you substantially in that department. Rishabh Rajan exercises his digits.
Do you need an incredibly realistic and flexible virtual drummer to run in Pro Tools? Mike Watkinson checks out the superb Strike RTAS virtual instruments in this in depth review.
With a few simple tricks and a copy of Pro Tools 10 almost any sound can be created. Mike Watkinson shows how'"using Vacuum & Structure Free'"you can produce a wobble Dubstep bass.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
Sometimes the best way to understand new software features is to talk to a friend or two. MPV Star trainers Bill Burgess and Scott Freiman popped by The Hub to discuss the new Pro Tools 10.
Most people believe Pro Tools only has 2 windows! There's actually 14 possibly windows, and with so many to switch between Window Configurations becomes very useful.
Traditionally if you were into audio you chose Pro Tools. If you used MIDI, you reached for Logic. This DAW polarized view has no relevance with Pro Tools 9, though! Read on...
Not enough bottom end in your mix? Kick drum a bit weedy, thin or disappointingly lightweight? Using Logic Pro's SubBass plug-in is a well documented method for synthesising very low frequencies where
The Tab to Transient selection feature in Pro Tools is an easy way to navigate and edit audio. Logic Pro has similar functionality too! Mike Wakinson shows you how to navigate transients effortlessly.
In Jewish law, a boy becomes a man at age 13. The occasion is commemorated with a special ceremony called a Bar Mitzvah.
In Freiman law, every son's Bar Mitzvah is celebrated with an over-the-top vide
It's highly likely that everyone reading this uses reverb in their mixes and it's also almost certain that you all have a studio quality reverb processor bundled with your favorite DAW software.
Altho
In the second part of this exclusive two-part interview, Scott Freiman talks about his Studio (designed by the legendary John Storyk), his favorite go-to plug-ins & audio software, and his prefere ...
3D Movies are all the rage. But what's it like to compose, mix or re-mix the music for a 3D film? In fact, not just any 3D film, but the recently created "Flying Monsters" by the legendary David Atte
Has this ever happened to you? You're right in the middle of a creative project on your Mac, and you need to pull up documentation. Maybe you're in Photoshop and you want to look up something about
2010 has been a massive year here at macProVideo and we'd like to thank all of our excellent authors for their articles and hard work... and thank you for joining us on this software tutorial journey!
Whenever you need to remove low frequency from a sound, you may reach for your newest equalizer plug-in. This is fine but a simple high pass filter will often suffice. This approach can save time and
Every time there is an announcement of a new version of Pro Tools, Cubase or Logic, the rumor-mill in the world of DAWs proclaims it to be the "[insert competitors DAW here] Killer". I take these stat
From the pioneering multitrack recordings of Les Paul and Mary Ford to just about every genre in existence today, doubling and layering of vocal performances has long been standard operating procedure
Spacious. Interesting. Wide. Powerful. Clear. Cohesive. Punchy... These are some words that might be used to describe a good mix. But mixing is not a one-size-fits-all art or science. There is no one