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Take a 25 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 102 - The Wind Section.
Get a mark of 80% or higher to pass this quiz!
1
The standard clarinet voicing position resembles the vowel sound:
"ah."
"oh."
"ee."
"er" or the German "oe."
2
Which of the following statement is true?
The bass clarinet has the exact same lower written range as the B-flat standard clarinet.
The bass clarinet can now reach all the way down to written low B-flat.
The bass clarinet is a widely-used second-level auxiliary.
The bass clarinet can stabilise the horns and anchor the wind section.
3
Tonguing the syllables "duh" and "the" result in:
marcato.
staccato.
fortepiano accents.
portato.
4
The following instruments use vibrato as their standard approach:
oboes. clarinets, and bassoons.
flutes and oboes.
flutes, oboes. clarinets, and bassoons.
flutes, oboes, and bassoons most of the time.
5
The bassoon:
has a range of three-and-a-half octaves.
has many commonly-used auxiliaries, such as the tenoroon and sarrusophone.
can play a low B-flat when the A extension is inserted.
is the lowest standard member of the oboe family.
6
Some wind instruments require transposition because:
their players may play all models in a family with the same fingering applying to the same staff positions.
their players can't read in C.
their instruments' registers are essentially homogeneous.
7
How many scores should an orchestral composer read?
A few to get started, then no more are needed.
Thousands over the course of a lifetime.
Hundreds over the course of a lifetime.
Just the ones in these courses.
8
The oboe has:
a family whose instrumental ranges cover two octaves in difference.
one of the narrowest ideally functional ranges of the entire wind section.
the same exact strengths of register as the English horn.
easy-to-play extreme high notes.
9
Which effect does NOT require alternate fingerings?
Harmonics.
Trills.
Key clicking.
Multiphonics.
10
Supported exhalation combines the following muscle groups:
the abdominals and the internal and external intercostals.
the abdominals, the internal and external intercostals, and the diaphragm.
the abdominals and the diaphragm.
the abdominals, the external intercostals, and the diaphragm.
11
The basic building-block of the orchestra is the:
brass section.
wind section.
percussion section.
string section.
12
The most difficult trills and tremolos are those that involve:
extension keys and changes of register.
overblowing.
throat tones.
trill keys.
13
Muting woodwinds:
requires a specially constructed mute.
may require removing the reed in double-reed instruments.
is usually unnecessary.
is needed in order to really play softly.
14
A cylindrical bore is combined with a parabolic curve in the design of the:
clarinet.
oboe and bassoon.
saxophone.
flute.
15
The standard seating for winds, clockwise from the nearer left of the conductor:
clarinets, flutes, bassoons, oboes.
flutes, clarinets, bassoons, oboes.
oboes, clarinets, bassoons, flutes.
flutes, oboes, bassoons, clarinets.
16
The dynamic arc of the winds is:
capable of the incredible overall control of the strings at very low volume.
halfway between the strings and the brass.
able to match the intensity of the brass in projection and sheer power.
17
The clarinet:
overblows the 4th partial in the clarino register.
behaves like a closed pipe because of its conical bore.
is a typical example of "open pipe" construction.
is an instrument whose fundamental tones vibrate as a half consonance.
18
The piccolo:
is owned by most professional flute players.
has the same exact written range as the standard flute.
is pitched two octaves above the alto flute.
is a second-level auxiliary.
19
Fork fingering is accomplished by:
cracking a tone-hole to raise the pitch by a half-step.
closing tone-holes below an open hole to raise the pitch by a half-step.
closing tone-holes below an open hole to drop the pitch by a half-step.
cracking a tone-hole to lower the pitch by a half-step.
20
The immediate predecessor to the oboe is called:
the shawm.
the hautbois.
the dulcian.
the recorder.
21
Niente articulation:
is easily balanced between all wind instruments.
is achieved most successfully on oboes and flutes in their lower register.
is achieved most successfully on clarinets and flutes in their lower register.
requires a tongueless attack.
22
"à 2" means:
"with two players on a single voice."
"divisi."
"with the second player on."
"with two players on separate voices."
23
What is Thomas Goss's definition of orchestration?
Arranging for the orchestra.
Bringing together different elements into one cohesive structure.
Managing voices.
Composing a score with different instruments in it.
24
How much more is there to learn after this course?
A little more.
Nothing more.
Quite a bit.
25
The best part of an oboe range is in its:
high register.
chalumeau register.
middle register.
bottom half-octave.
Orchestration 102
The Wind Section
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