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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 105 - Mastering.
Get a mark of 80% or higher to pass this quiz!
1
If a mastering session included several songs intended as a collection
it should be broken up into several different mastering Project files
they should all be trimmed to be the same length, for consistency
they could be worked on one-at-a-time, or simultaneously, bouncing between them
2
Logic's Multipressor includes
up to 4 bands with full compression controls plus user-adjustable crossover points
7 different models of classic vintage compressor hardware units
10 bands of over-easy compression
3
A new measurement unit & a new scale for determining average loudness are
dBfs (dB full scale) and the dB (deciBel)
dBu & the dBspl scale
kHz and the kHzspl scale
LU (Loudness Unit) & LUFS (Loudness Units referenced to Full Scale)
4
Logic's main mastering limiter is
the Adaptive Limiter, or AdLimiter
the Compressor with peak detection selected
the SSL Compressor model
the Multipressor
5
Logic's Exciter
applies high-frequency EQ for additional brightness
creates stereo depth
pumps up the compression for a more exciting mix
subtly adds new (distortion) harmonics for additional brightness
6
In mastering a typical Ratio for subtle overall compression might be
no higher than 1:1
at least 10:1or higher
3,1416:1
around 2:1 or lower
7
MS (Mid-Side) processing
All answers are correct
converts Left & Right channels to a Mid channel (mono) and Sides channel
can let the mastering engineer make subtle adjustments to stereo width
is employed on vinyl records, originally to insure mono compatibility
8
A multiband compressor
emulates several different vintage compressor models at the same time
guarantees that no audible change in overall frequency balance will occur
all answers are correct
divides the frequency range and applies independent compression in different bands
9
A Logic mastering template might include reference tracks which are
songs in the same musical keys as the tracks being mastered
industry-standard test-tone audiofiles for calibrating level
commercial masters that can serve as a guideline for level, dynamics, & tonal balance
10
Logic's Goniometer measures
the tonal balance of an audiofile in third-octave bands
the phase differential between the L & R channels of a stereo audio file
the frequency of an audio signal
the maximum peak level of an audiofile
11
Which of these Logic plug-ins are suitable for mastering applications?
All answers are correct
Channel EQ & Vintage EQs
Compressor & Multipressor
Adaptive Limiter & Multimeter
12
Two of Logic's EQs share the same layout-they are
the Vintage EQs and Match EQ
the Channel EQ and the Vintage EQs
the Channel EQ & Linear Phase EQ
the Channel EQ & Match EQ
13
In mastering one reason reverb might be added is
to apply a big room effect to drums in a mix for that classic 80's sound
if a track has too much transient energy and needs to be fattened up
if a track is noticeably more dry or lacking in depth than others in a collection
14
In the early analog era, mastering was done primarily to
create an alternate version of a track for remix
register the copyright claim for the songwriter and label
prepare the audio for transfer to vinyl
to make the audio as loud as possible
15
When setting the final level of the master
you should always make the mix as loud as technically possible
you should never let the overall level change from the level of the original mix
you should both compare it to reference tracks and check the level in the Loudness Meter
16
Logic's two main compressor plug-ins for mastering are
Fairchild & Pultec
Limiter & AdLimiter
Fairchild & SSL
Compressor & Multipressor
17
The Vintage EQs emulate which three classic EQs?
Neve 1073, API 560, & Pultec EQP-1A+MEQ-5
SSL, Neve 1073, & API 560
Neve 1073, API 560, & Trident 80-series EQ
Neve 1073, Sony Oxford, & Massenberg EQ
18
Logic's two dedicated level meters are
the Vectorscope & the Balance Meter
the Goniometer & the Correlation Meter
the Vectorscope & the Loudness Meter (LUFS scale)
the Level Meter (dB scale) & the Loudness Meter (LUFS scale)
19
When mastering is done, several Bounces may be created
to provide multiple copies to all the members of a band
to accommodate the different average level requirements of different media
to make sure that adequate backups are maintained
20
Brickwall limiting has typically had two functions in digital mastering:
overload protection & tonal balance adjustment
overload protection & loudness maximizing
tonal balance adjustment & loudness maximizing
21
Typical mastering EQ might consist of
small subtle boosts & cuts of around 2 or 3 dB
large midrange boosts accompanied by aggressive high & low cut filters
large midrange cuts
large narrow boosts of at least 10 dB or more
Logic Pro 105
Mastering
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