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Take a 23 question quiz to test and certify your knowledge of the tutorial-video course
Guitar Production 101 - Pop Arranging Explored.
Get a mark of 80% or higher to pass this quiz!
1
Adding additional layers of distorted power chords creates a change in:
ebb and flow
rhythmic syncopation
texture and density
melody and harmony
2
What type of pick should you use in order to get more of the attack transient characteristic from the acoustic guitar?
Heavy
Round
Light
Medium
3
Performing a two-note guitar part in separate takes gives you
a darker" sound
something that sounds more like a live organic performance
more accurate control of articulations and flexibility in the mix
time to talk to the singer
4
Which of the following is an example of a Color" tone in a major7th chord?
2nd degree
Root
Perfect 5th degree
Major 3rd degree
5
The primary role of a "Pulsing" Guitar part is to:
provide a repeating subdivision which gives pulse to the music
help determine if the drummer is still breathing.
create a sense of improvisation
create a constantly changing part which helps the song build
6
Muted ghost notes are:
Intense
Melodic
Singeable
Percussive
7
Sustained guitar lines can be used to:
create a percolating effect
pay your phone bill
create a glue" which helps fill out the mix
create a sense of rhythmic propulsion
8
Experimenting with the placement of upbeats and downbeats can help to:
give more meaning to a song
tighten the groove of the rhythm section
make a part less predictable and more memorable
like a secondary hook
9
In an interlocking guitar part, both guitars:
play only at separate times
play together to create a pattern
play as fast as possible
create complex melodic lines
10
Layering the guitar in octaves gives it more ______ in the mix.
groove
melodic appeal
pick attack
presence
11
With Modulation effects the delayed signal is modulated by:
an AFM
a VCF
a VCA
an LFO
12
A rhythmic motif is characterized by:
harmonic interest
constant change
strong melody
repetition
13
Modern Pop Guitar is characterized by:
Stripped down repetitive parts that work well with synthetic sounds
Live amplifier miking techniques
Performance-Oriented parts
Heroic guitar solos
14
In a Funky Octave part the second note is _____ higher than the first.
a Fourth
a Fifth
an Octave
a Third
15
What's a good test of catchiness?
Whether or not the part is complicated
Whether or not the part is singeable
Whether or not the part is virtuosic
Whether or not the part is syncopated
16
What are the three notes in a power chord?
Root, 5th degree and Root one octave higher
5th degree, 7th degree and Root one octave higher
Root, 3rd degree and 5th degree
Root, 3rd degree and Root one octave higher
17
Why would you layer a sampled instrument with the guitar?
To create better chord changes
To create a strange melody
To create a motif
To create a unique timbre and texture
18
A Wah pedal can provide a resonant _____ effect.
bandpass
all-pass
low-pass
hi-pass
19
What type of guitar is most commonly used for Funk?
Gibson ES-335
Takamine
Gibson Les Paul
Stratocaster
20
A G natural harmonic is produced on the guitar by:
lightly touching the 3rd string on the 12th fret
lightly touching the 1st string on the 12th fret
fully depressing the 2nd string on the 7th fret
fully depressing the 3rd string on the 12th fret
21
Distorted power chord guitars blend naturally with this type of synth waveform:
Sine
Sawtooth
Square
Triangle
22
How can you create a part that contrasts the groove?
Mimicking it
Using more distortion
Playing on the downbeat
Playing against it
23
In a Call and Response part the guitars create:
a flowing melodic line
a back and forth interplay
an overlapping harmony
complex harmonies
Guitar Production 101
Pop Arranging Explored
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