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Take a 23 question quiz to test and certify your knowledge of the tutorial-video course
Guitar Production 101 - Pop Arranging Explored.
Get a mark of 80% or higher to pass this quiz!
1
In a Funky Octave part the second note is _____ higher than the first.
a Fifth
an Octave
a Third
a Fourth
2
Layering the guitar in octaves gives it more ______ in the mix.
pick attack
presence
melodic appeal
groove
3
What's a good test of catchiness?
Whether or not the part is syncopated
Whether or not the part is singeable
Whether or not the part is complicated
Whether or not the part is virtuosic
4
With Modulation effects the delayed signal is modulated by:
an LFO
an AFM
a VCA
a VCF
5
Which of the following is an example of a Color" tone in a major7th chord?
Perfect 5th degree
Major 3rd degree
Root
2nd degree
6
Adding additional layers of distorted power chords creates a change in:
ebb and flow
rhythmic syncopation
melody and harmony
texture and density
7
Why would you layer a sampled instrument with the guitar?
To create a motif
To create better chord changes
To create a strange melody
To create a unique timbre and texture
8
Muted ghost notes are:
Melodic
Singeable
Percussive
Intense
9
What type of guitar is most commonly used for Funk?
Gibson Les Paul
Gibson ES-335
Stratocaster
Takamine
10
What type of pick should you use in order to get more of the attack transient characteristic from the acoustic guitar?
Light
Heavy
Medium
Round
11
In an interlocking guitar part, both guitars:
create complex melodic lines
play as fast as possible
play only at separate times
play together to create a pattern
12
Experimenting with the placement of upbeats and downbeats can help to:
give more meaning to a song
make a part less predictable and more memorable
tighten the groove of the rhythm section
like a secondary hook
13
Sustained guitar lines can be used to:
create a glue" which helps fill out the mix
pay your phone bill
create a sense of rhythmic propulsion
create a percolating effect
14
A Wah pedal can provide a resonant _____ effect.
hi-pass
bandpass
all-pass
low-pass
15
Distorted power chord guitars blend naturally with this type of synth waveform:
Square
Sawtooth
Sine
Triangle
16
A G natural harmonic is produced on the guitar by:
lightly touching the 3rd string on the 12th fret
lightly touching the 1st string on the 12th fret
fully depressing the 2nd string on the 7th fret
fully depressing the 3rd string on the 12th fret
17
The primary role of a "Pulsing" Guitar part is to:
create a sense of improvisation
provide a repeating subdivision which gives pulse to the music
help determine if the drummer is still breathing.
create a constantly changing part which helps the song build
18
In a Call and Response part the guitars create:
a back and forth interplay
a flowing melodic line
complex harmonies
an overlapping harmony
19
A rhythmic motif is characterized by:
repetition
harmonic interest
constant change
strong melody
20
Performing a two-note guitar part in separate takes gives you
something that sounds more like a live organic performance
time to talk to the singer
a darker" sound
more accurate control of articulations and flexibility in the mix
21
How can you create a part that contrasts the groove?
Playing against it
Using more distortion
Mimicking it
Playing on the downbeat
22
Modern Pop Guitar is characterized by:
Stripped down repetitive parts that work well with synthetic sounds
Live amplifier miking techniques
Performance-Oriented parts
Heroic guitar solos
23
What are the three notes in a power chord?
5th degree, 7th degree and Root one octave higher
Root, 5th degree and Root one octave higher
Root, 3rd degree and Root one octave higher
Root, 3rd degree and 5th degree
Guitar Production 101
Pop Arranging Explored
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