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Take a 23 question quiz to test and certify your knowledge of the tutorial-video course
Guitar Production 101 - Pop Arranging Explored.
Get a mark of 80% or higher to pass this quiz!
1
Performing a two-note guitar part in separate takes gives you
more accurate control of articulations and flexibility in the mix
something that sounds more like a live organic performance
time to talk to the singer
a darker" sound
2
What type of pick should you use in order to get more of the attack transient characteristic from the acoustic guitar?
Light
Round
Heavy
Medium
3
In an interlocking guitar part, both guitars:
play together to create a pattern
play as fast as possible
create complex melodic lines
play only at separate times
4
Modern Pop Guitar is characterized by:
Performance-Oriented parts
Stripped down repetitive parts that work well with synthetic sounds
Heroic guitar solos
Live amplifier miking techniques
5
Why would you layer a sampled instrument with the guitar?
To create a strange melody
To create better chord changes
To create a unique timbre and texture
To create a motif
6
In a Funky Octave part the second note is _____ higher than the first.
a Fourth
a Third
a Fifth
an Octave
7
Muted ghost notes are:
Percussive
Singeable
Melodic
Intense
8
The primary role of a "Pulsing" Guitar part is to:
create a sense of improvisation
create a constantly changing part which helps the song build
help determine if the drummer is still breathing.
provide a repeating subdivision which gives pulse to the music
9
A G natural harmonic is produced on the guitar by:
fully depressing the 2nd string on the 7th fret
lightly touching the 1st string on the 12th fret
lightly touching the 3rd string on the 12th fret
fully depressing the 3rd string on the 12th fret
10
What type of guitar is most commonly used for Funk?
Gibson Les Paul
Gibson ES-335
Stratocaster
Takamine
11
How can you create a part that contrasts the groove?
Playing on the downbeat
Using more distortion
Mimicking it
Playing against it
12
A Wah pedal can provide a resonant _____ effect.
all-pass
hi-pass
bandpass
low-pass
13
A rhythmic motif is characterized by:
repetition
harmonic interest
strong melody
constant change
14
Adding additional layers of distorted power chords creates a change in:
ebb and flow
rhythmic syncopation
melody and harmony
texture and density
15
What's a good test of catchiness?
Whether or not the part is virtuosic
Whether or not the part is syncopated
Whether or not the part is complicated
Whether or not the part is singeable
16
What are the three notes in a power chord?
Root, 3rd degree and 5th degree
Root, 5th degree and Root one octave higher
5th degree, 7th degree and Root one octave higher
Root, 3rd degree and Root one octave higher
17
In a Call and Response part the guitars create:
an overlapping harmony
complex harmonies
a back and forth interplay
a flowing melodic line
18
Experimenting with the placement of upbeats and downbeats can help to:
tighten the groove of the rhythm section
like a secondary hook
give more meaning to a song
make a part less predictable and more memorable
19
With Modulation effects the delayed signal is modulated by:
an LFO
an AFM
a VCF
a VCA
20
Sustained guitar lines can be used to:
create a glue" which helps fill out the mix
create a percolating effect
create a sense of rhythmic propulsion
pay your phone bill
21
Layering the guitar in octaves gives it more ______ in the mix.
melodic appeal
presence
groove
pick attack
22
Which of the following is an example of a Color" tone in a major7th chord?
2nd degree
Perfect 5th degree
Major 3rd degree
Root
23
Distorted power chord guitars blend naturally with this type of synth waveform:
Sine
Triangle
Sawtooth
Square
Guitar Production 101
Pop Arranging Explored
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