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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Where is most of the hi-hat heard in most drum mixes?
The hi-hat mic
The room mics
The overhead mics
The snare mic
2
Always angle tom mics to avoid over resonating the microphone. True or false?
True
False
3
The classic Glyn Johns technique uses:
12 microphones
1 overhead, 1 side, 1 kick, 1 snare mic
2 overheads
1 overhead and 1 side mic
4
Which of the following is a common kick mic known for its punch and body?
Audix D6
Sennheiser e906
Shure SM7B
Shure SM57
5
Blending the Wet and Dry signal in a compressor applies:
Parallel compression
Multiband compression
FET compression
Opto compression
6
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Clips on the rim of the drum
Has a high pass switch
Has a high pick up range
Requires phantom power
7
Which type of filter is helpful for reducing pedal noise on the hi hat?
High Pass
Bandpass
Notch
Low Pass
8
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
False
True
9
Which type of miking limits the pickup range of the mic on drums?
Off-axis
Distant
Close, on-axis
10
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, and centers the snare
Reduces phase issues, but makes the snare off-center
Increases phase issues, but centers the snare
11
Which mics give the drum kit a sense of depth and 3D space?
Room Mics
Snare Side and Kick Out
Overheads
Close Mics
12
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
ORTF
XY
NOS
Blumlein
13
Peak drum levels should typically be set around:
-30 to -50 dBFS
-20 to -30 dBFS
-3 to -9 dBFS
0 to -3 dBFS
14
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Longer
Shorter
15
Low level signals will be affected the same a high level signals running through a compressor. True or false?
False
True
16
Snare side mics are typically:
Small Diaphragm Condensers
Large Diaphragm Condensers
Ribbon Mics
Dynamic Mics
17
When recording live drums, it's common to blend close mics with distant mics. True or false?
False
True
18
How should condensers be aimed for bongos and congas?
At the center of the drum, 6 inches away
At the center of the drum, 12 inches away
At the rim, 8-12 inches away
19
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Large Diaphragm Dynamic
Small Diaphragm Condenser
Ribbon
Large Diaphragm Condenser
20
Kick In mics are almost always a __________ mic.
Ribbon
Electret
Large Diaphragm Dynamic
Large Diaphragm Condenser
21
Which of the following overhead techniques has the widest stereo image?
Spaced Pair
ORTF
Glyn Johns Variant
XY
22
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
False
True
23
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
2000 Hz
500 Hz
100 Hz
50 Hz
24
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
False
True
Logic Pro 503
Studio Series - Recording Drums
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