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Take a 20 question quiz to test and certify your knowledge of the tutorial-video course
Music Theory 302 - Jordan Rudess: Rhythm Explored.
Get a mark of 80% or higher to pass this quiz!
1
If you're playing a pattern of 5 ascending notes in a group of 4 you are:
using displacement
using rhythmic motion
playing quintuplets
playing in 5/4
2
If you're playing 3 eight notes followed by 2 eight notes in a measure, you are playing in:
7/8 time
3/4 time
5/8 time
Don't play that. Always stay in 4/4... it's safer!
3
As human beings, we feel very comfortable with:
Rhythmic anticipation
Patterns and repetition
Polyrhythms
Syncopation
4
How can you practice Jordan's Brain Twister?
You start by playing quarter notes and you add one more division every beat
You play displaced septuplets in 7/8 with a latin feel
You play a 5 over 3 polyrhythm
You clap your hands on the 2 and 4
5
What is the most common way to play in 5/4?
In 2 and 3
In 1 and 4
In 3 and 2
In 4 and 1
6
If you put five divisions to the beat...
you are playing quintuplets
you shouldn't be playing music
you are using a pentatonic scale
you are playing in 5/8
7
When playing with a latin type of feel, the bass is always on the beat. True or false?
False
True
8
What technique are you using if you're playing simple chords right on the beat every measure, and then you accent a chord right before the beat?
Rhythmic Anticipation
Displacement
Mixed Grouping
Syncopation
9
The "Dream Theater Turnaround" happens on just about every Dream Theater record. True or false?
True
False
10
Half notes are held for:
2 beats
2 measures
half of a beat
1 beat
11
Adding rhythmic motion between the chords is a little like strumming on a guitar. True or false?
False
True
12
When playing Polyrhythms...
none of the notes are played together, except on the last beat
none of the notes are played together, except on the 1st and last beats
none of the notes are played together, except on the 1st beat
none of the notes are played together
13
What is the "Dream Theater Turnaround"?
A I-♭III-♭VI-♭II7 chord progression played in 7/8
An idea where you turn a 6/8 feel into 3/4
A V-IV-I chord progression at the end of a section which leads to the next section
A short chord progression at the end of a section which leads to the next section
14
When you are holding a note for 4 beats, you are playing a...
whole note
half note
quarter note
long note
15
How can you stay in 4/4 and give the impression of using a lot of time signatures?
By using rhythmic anticipation
By playing very fast
You can't!
By changing accents
16
Which composer was known to mix quintuplets, triplets, sixteenth notes, etc.?
Ludwig van Beethoven
Frank Zappa
Johann Sebastian Bach
Quincy Jones
17
Polyrhythm is two (or more) ______ played against each other.
time signatures
chords
rhythms
scales
18
What is the most common way to play in 7/4?
In 4 and 3
In 2 and 5
In 3 and 4
In 5 and 2
19
What is the most simple meter in music?
1/4
7/8
Compound meter
4/4
20
No matter how complicated it gets, you can usually break down any rhythms into:
quarter notes
groups of two and three notes
melodic patterns
accents
Music Theory 302
Jordan Rudess: Rhythm Explored
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