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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
1
A good rule of thumb in scoring orchestral saxophones is to...
join with similar-sounding instruments for a less integrated texture.
avoid similar-sounding instruments when you want to highlight the part.
always treat saxophones as soloists and never try to blend them.
use similar-sounding instruments when you want to highlight the part.
2
The basset horn's written notes sound...
down an octave like bass clarinet.
down a perfect 5th exactly like the French horn and English horn.
down a minor third like oboe d'amore.
down a major 6th like alto clarinet and alto saxophone.
3
The E-flat clarinet should be used...
especially for its rich low register.
for its specific timbre in any given register.
for playing any high clarinet solo passage.
instead of piccolo flute wherever possible.
4
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
True
False
5
In Tchaikovsky's 6th Symphony, the bass clarinet is often called upon to...
substitute for solo English horn.
substitute for solo bassoon.
dove-tail a phrase from solo oboe.
substitute for solo clarinet.
6
The bassoon's tone...
gains richness toward the bottom and loses richness toward the top of its range.
is equally rich throughout its range.
gains richness toward the top and loses richness toward the bottom of its range.
is richest in its middle register.
7
The A clarinet...
has a much much darker sound than the B-flat clarinet.
is largely unnecessary in concert music scoring.
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
is chiefly used for the ease of fingering sharp keys.
8
Bassoons sound great in alliances...
only with other members of the wind section.
with nearly every other instrument in the orchestra.
only with lower brass instruments like trombones and tubas.
only with lower string instruments like cellos and double basses.
9
The contrabassoon's projection...
is louder than the lower brass.
can be easily swamped by the lower brass.
is about equal to the lower brass.
10
The lowest note of the tenor saxophone reaches...
an octave below the lowest note of the viola.
a minor 3rd below the lowest note of the viola.
an octave above the lowest note of the bassoon.
a major 3rd below the lowest note of the viola.
11
The buzzy, reedy quality of the saxophone tends to get...
less pronounced the lower the pitch of the note and range of the instrument.
stay the same throughout the ranges and registers of all saxophones.
more pronounced the lower the pitch of the note and range of the instrument.
12
The clarinet's low range...
tends to honkiness like the oboe's lower register.
is composed of highly compressed partials.
has a smooth level of projection throughout.
tends to be weaker and more wavering like the flute's lower register.
13
The German system of bass clef notation...
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major second, and should no longer be used.
uses bass clef sounding down a major ninth, and should no longer be used.
uses bass clef sounding down a major second, and is the preferred approach.
14
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
False
True
15
The bassoon's low register comprises 20 fundamental tones. True or false?
True
False
16
The unison doubling of two exposed clarinets...
blends together imperceptibly as a single tone.
has a phased sound.
sounds cutting and trumpet-like.
17
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
False
True
18
There are three individual families of orchestral woodwind instruments. True or false?
True
False
19
The contrabass clarinet sounds...
a major 9th lower than the B-flat clarinet.
two octaves lower than the B-flat clarinet.
an octave and a major 6th lower than the B-flat clarinet.
two octaves and a major 2nd lower than the B-flat clarinet.
20
The best way to hold onto the information you've learned in this course is to...
move quickly on to studying the brass section because woodwinds don't matter.
get an orchestration manual, score-read, and compose for musicians directly.
watch this course over and over and don't worry about anything else.
21
Clarinets don't use vibrato in their normal approach to playing concert music. True or false?
False
True
Orchestration 104
Clarinets, Saxophones and Bassoons
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