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Take a 25 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 301 - The MIDI Orchestra - Enhancing Realism.
Get a mark of 80% or higher to pass this quiz!
1
Why would you use samples instead of real musicians?
To create a mockup so the director can hear in advance what the music will sound like when performed by a real orchestra
To experiment with new and unfamiliar orchestral textures
To save time and money
All answers are correct
2
A variable Sample Start parameter controllable by a MIDI CC is available:
only in certain plug-in instruments
Only in Play, Kontakt, and Embertone plugins
on most sampled instruments, though in some cases the function is hidden
only on Vienna, EXS-24, and Kontakt instruments
3
Which velocity response curve should you choose to make a MIDI controller less likely to output high velocity values when playing softly?
Exponential
Inverse exponential
Hypothetical
Linear
4
When working in crossfade mode (Vel.XF) in VSL, velocity has no effect on the sound. True or false?
False
True
5
What is CC#2?
Breath controller
Foot controller
Volume
Expression controller
6
Which aspect of sustaining sounds do we have the least amount of control over?
The attack characteristics
The release characteristics
The volume contour of the sustaining part of the sound
The speed and depth of vibrato
7
How is it possible to create realistic sounding mockups with just one sample library?
It's not possible because every library has a imited range of musical emotions that it can express
By playing to the strengths of the samples
Only if the library features dynamic crossfading between sample layers
Only by using a high-end, expensive library
8
In Kontakt, where can you add CC#11 control of volume to an instrument?
Instrument Options > Controller > MIDI Controller range
Mapping Editor > Edit > Auto Map Functions
Wrench icon > Amplifier > Mod tab > Add modulator > External Sources > MIDI CC
Wrench icon > Modulation > Mod tab > Add modulator > MIDI CC
9
What is the Mosaic technique about?
Repeating a musical phrase continuously throughout a musical piece
Playing back a different sample each time a note is repeated to avoid the "machine gun" effect
Mixing and matching different sample libraries to get the articulations you want
Doubling parts to get a bigger and more realistic sound
10
In general, the velocity sensitivity of most keyboard controllers:
is very good but usually lacks sensitivity when playing very soft notes
is not very accurate, but for creating mockups it's not a huge problem
is not consistent between controllers and doesn't translate playing nuances very accurately
is very good but it's usually extremely difficult to achieve very high velocity values
11
What is the most common method for selecting articulations?
Velocity
Key Switching
Crossfading
Round Robin
12
Realism-enhancing concepts and techniques are DAW-specific. True or false?
False
True
13
To achieve MIDI realism, you should avoid using outdated sample libraries. True or false?
True
False
14
Which of the following statement is incorrect?
All sample libraries have expressive strengths
There is no such thing as "the best" sample library
EQs and Compressors will help you to enhance the realism in your mockups
All sample libraries have expressive limitations
15
How can you simulate the missing in-between timbral variation between two sample layers?
Multi-sampling (Deep-sampling)
Velocity switching
Velocity crossfading
EQing
16
The most important attribute of a realistic-sounding mockup is:
making it impossible to tell if it's real or fake
to keep your listening audience "in the audience" a majority of the time
that you're using the latest libraries
writing using ensemble sounds because writing for solo instruments is difficult
17
What can you adjust with the CC#11 Expression Controller?
Volume only
Volume and timbre
It depends on the plug-in/instrument
Nothing
18
How can a legato sound be achieved?
A true legato sound can only be achieved with real players
Lengthening the release time so that the notes bleed into one another
Only by using libraries which feature true legato samples
Either with specialty libraries, or by using various programming techniques to "bend the samples to your will"
19
It is possible to produce vibrato on an open string on a violin, but it's not always practical. True or false?
True
False
20
The factory setting for release time is programmed to exactly emulate the true release characteristics of an instrument. True or false?
False
True
21
Choose the best answer. Dynamics create changes in:
emotional intensity, volume and tone color
tone color, pitch and volume
emotional intensity and volume
tone color and volume
22
Round Robin sample programming is used to avoid the machine gun effect by:
artificially altering the pitch and timbre of a sample
randomly choosing from a pool of alternate takes of recorded samples
ensuring that repeated pitches don't sound precisely the same twices in a row
cycling systematically through a pool of similar-sounding samples but only for repeated pitches
23
When percussion instruments are damped, they stop vibrating immediately. True or false?
False
True
24
Which of the following statement is correct?
Most MIDI controllers on the market can output the full range of 127 velocity values
All other answers are incorrect
Most MIDI controllers on the market do not output the full range of 127 velocity values
All MIDI controllers on the market can output the full range of 127 velocity values
25
To create realistic sounding harp parts, the maximum number of notes you should write per hand is:
Three
Two
Four
Five
Orchestration 301
The MIDI Orchestra - Enhancing Realism
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