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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
iZotope RX 5 - Post Production Suite Explored.
Get a mark of 80% or higher to pass this quiz!
1
iZotope's RX Post Production Suite:
specializes in processing that relates to EQ only
specializes in processing that relates to loudness only
provides tools for audio measurement but not processing
provides tools for all stages of post production from audio repair to mixing stems to final delivery
2
RX Final Mix's Dynamic EQ:
simulates the character of classic EQ hardware units
can be set to kick in only when an audio Threshold is crossed
automatically selects the greatest amount of EQ without overload
is identical in sound & operation to a multiband compressor
3
RX Final Mix:
adds compression and EQ to your final mix
is an auto-mixing plug-in that simulates classic mixing hardware
is a "channel strip" with an EQ & Limiter intended for mixing stems
is a mastering plug-in with multiband compression
4
iZotope's product range includes:
Software for mastering
All answers are correct
Software for post production
Software for music production
5
Insight is:
an automated tool with analysis and corrective processing
an all-in-onemastering package
a measurement tool with various displays
a measurement tool with corrective EQ & dynamics processors
6
RX Final Mix:
None of the other answers are correct
can be used only on the master stereo/surround bus
is a convenient all-in-one processor for multiple audio stems
can be used only on one selected stem in a project
7
RX5 Advanced:
All answers are correct
provides creative tools designed for music creation
provides tools specifically for mastering music
provides processing "modules" for repairing problems in audio
8
RX Loudness Control includes presets for:
only the Broadcast loudness standards for the U.S.
only average (Integrated) loudness compliance
all the various Broadcast loudness standards throughout the world
only the Broadcast loudness standards for the region (country) of purchase
9
Insight's Loudness History:
displays only the maximum level in a section of audio (peak hold)
displays only levels that fall short of the target level
displays continuous Integrated, Short-Term, & Momentary levels
10
RX5's DePlosive module:
adds compression and EQ to make vocals "pop"
can remove ambience from a recording
simulates the sounds of explosions for post-production FX tracks
automatically fixes "P-Pops"-thumps in a vocal recording
11
RX5's Spectral Repair module:
can allow unwanted sounds within an audiofile to be "drawn" out
can match the timing of one audio file to another
can allow out-of-tune notes in a melody to be pitch-corrected
can match the EQ of one audio file to another
12
The perception of how loud audio is:
is based on maximum peak (transient) levels
is based on average level, not on maximum peak (transient) levels
correlates with levels shown in standard DAW Peak meters
13
RX5's EQ Match module:
All answers are correct
provides user-adjustable parametric EQ controls
matches the tonal character of one section of audio to another
simulates the character of classic EQ hardware units
14
A band of a "Proportional Q" EQ:
automatically dials up the correct amount of boost & cut
widens with greater degrees of boost & cut
None of the other answers are correct
maintains the chosen bandwidth at all degrees of boost & cut
15
RX5's Ambience Match module:
can simulate the ambience of specific spaces via convolution processing
can remove ambience from a recording
can learn and add "room tone" to silent gaps in edited audio
all answers are correct
16
RX Loudness Control:
None of the other answers are correct
is a suite of tools for maximizing audio levels for Broadcast
is an automatic two-step solution for complying with Broadcast loudness requirements
is a suite of tools for manually complying with Broadcast loudness requirements
17
Insight's level meters:
display standard peak levels, just like a typical DAW's peak meters
display both Integrated average levels and True Peak levels
can display either average (RMS) or peak levels
18
Levels in Broadcast audio:
are (unlike in music distribution) regulated as to perceived loudness
are always mixed to be as soft as possible
are always mixed to be as loud as possible
are (just as in music distribution) in the middle of a "loudness war"
19
iZotope's RX Post Production Suite includes:
RX 5 Advanced, Ozone 6, Insight, & RX Loudness Control
RX5 Advanced, Ozone 6, RX Final Mix, & RX Loudness Control
RX 5 Advanced, Alloy 2, Insight and RX Loudness Control
RX5 Advanced, RX Final Mix, Insight, & RX Loudness Control
20
Target (Integrated) Program level for Broadcast:
is typically around -0.1 dBfs
is typically around -24 LKFS or -23 LUFS
is typically around -6 to -12 dBfs
is typically around -0.3 dBfs
21
Broadcast loudness standards are defined by:
All answers are correct
the ITU BS.1770 standard
the ASC A/85 standard
the EBU R128 standard
iZotope RX 5
Post Production Suite Explored
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