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Take a 22 question quiz to test and certify your knowledge of the tutorial-video course
Pro Tools 105 - Mastering Essentials.
Get a mark of 80% or higher to pass this quiz!
1
M-S processing converts L/R stereo audio to...
a Max (high-level) channel and a Soft (low-level) channel
a Mid (sum) channel and a Sides (difference) channel
5.1 surround audio with simulated rear channel ambience
a mono signal to stereo
2
Mastering activities that can be performed in Pro Tools include:
multiband compression
M-S processing
EQ, compression, brickwall limiting, multiband compression, and M-S processing
EQ, compression, and brickwall limiting
3
In the analog era, mastering was primarily done to...
create a stereo mix from a mono mix
create hotter CDs
transfer a mix from vinyl to tape
transfer a mix from tape to vinyl
4
In the Avid Pro Multiband compressor, Slope...
is a smiling EQ
is a combined Attack/Release control
is a frequency tilt EQ to augment the compression
is a combination Ratio/Knee control
5
A common approach to mastering compression uses...
a very high Threshold and a very fast Attack
stacking 5 compressors in a row
lower Ratio and lower Threshold settings
a very high Ratio and a very fast Attack
6
The new level scale used for Loudness Normalization is...
the dB scale
the dBu scale
the LUFS scale
the dBspl scale
7
Character processors are typically plug-ins that...
special effect processors that are applied on top of standard processing
are designed by famous engineers
emulate the sound & response of analog hardware
remotely control an actual external hardware unit
8
The best approach to mastering multiple songs is to...
open each song in a separate Pro Tools session
use a separate chain of mastering processors for each song
master all the song in the same project
use the same chain of mastering processors for all the songs
9
You can implement M-S processing in Pro Tools by...
inserting multi-mono plug-ins between LR->MS and MS->LR plug-ins
Pro Tools does not include any M-S plug-ins so it can't be done
M/S processing is a myth. It doesn't exist.
exporting the audio to a third-party standalone M-S application
10
When A/B'ing the masters-in-progress against commercial reference tracks...
you should never A/B your track against commercial releases
the average levels should be level-matched for valid comparison
the masters-in-progress should always be 6dB louder than the reference tracks
the masters and reference tracks should be played simultaneously
11
Multiband compression...
chains several mastering compressors in sequence
is used in place of brickwall limiting
applies independent compression in several frequency bands
is used place of a saturator
12
An Offline Bounce...
can only be done when disconnected from the internet
should be avoided
renders the new file in real time while playing the audio
renders the new file silently in faster-then-real time
13
A brickwall limiter...
absolutely prevents the signal from exceeding a set Threshold
absolutely cuts the audio above a set frequency, before limiting
absolutely cuts the audio below a set frequency, before limiting
is used for brick wall limiting
14
A vectorscope displays:
the relative phase between the left and right channels
the average loudness over the length of the song
the dynamic frequency balance of the song
the instantaneous level of an audio signal that is passing through
15
In a typical mastering session...
you should never A/B the song against other songs during mastering
you should apply reverb first
you might work on EQ & compression before applying brickwall limiting
you must always apply brickwall limiting before setting the other processing
16
A standard chain for mastering processing would be:
EQ, Compression, Limiting
EQ, Comrpession, Reverb
EQ, Delay, Reverb
EQ, Limiting, Reverb
17
What is Mastering?
The same as Mixing
The process of duplicating a final mix
The final stage of audio production
A processing only done for analog media
18
Which of the following compressors is included with Pro Tools?
Channel Strip Compressor
Compressor/Limiter III, Channel Strip Compressor and BF-76
Compressor/Limiter III
BF-76
19
Pro Tools' included EQs are:
standard minimum-phase EQs
dynamic EQs
switchable between minimum-phase & linear-phase
linear-phase EQs
20
When EQ'ing, a smile curve is...
the application of both highpass & lowpass filters
a great-sounding EQ guaranteed to make the listener smile
a broad midrange boost centered around 1kHz
a broad, gentle boost of the highs & lows
21
To comply with most modern Loudness standards, a good setting would be...
a ceiling of 10 dBfs
a ceiling of -.3dBfs
a ceiling of -1dBTP
a ceiling of -14 dBfs
22
Two additional processors that might be used in mastering are...
an enhancer and a slap echo
an exciter and a reverb
a chorus and a flanger
delay and reverb
Pro Tools 105
Mastering Essentials
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