Library
Classrooms
Curriculums
Articles
Pricing
Faculty
AudioPedia
Support
Login
Sign Up
Share
14
Go
or browse by category
Audio
Video
Graphics
Productivity
Web
Take a 22 question quiz to test and certify your knowledge of the tutorial-video course
Pro Tools 105 - Mastering Essentials.
Get a mark of 80% or higher to pass this quiz!
1
To comply with most modern Loudness standards, a good setting would be...
a ceiling of -1dBTP
a ceiling of -14 dBfs
a ceiling of 10 dBfs
a ceiling of -.3dBfs
2
When EQ'ing, a smile curve is...
a broad midrange boost centered around 1kHz
a broad, gentle boost of the highs & lows
a great-sounding EQ guaranteed to make the listener smile
the application of both highpass & lowpass filters
3
The best approach to mastering multiple songs is to...
use the same chain of mastering processors for all the songs
master all the song in the same project
use a separate chain of mastering processors for each song
open each song in a separate Pro Tools session
4
In the Avid Pro Multiband compressor, Slope...
is a combination Ratio/Knee control
is a frequency tilt EQ to augment the compression
is a combined Attack/Release control
is a smiling EQ
5
A brickwall limiter...
absolutely prevents the signal from exceeding a set Threshold
absolutely cuts the audio below a set frequency, before limiting
absolutely cuts the audio above a set frequency, before limiting
is used for brick wall limiting
6
In the analog era, mastering was primarily done to...
transfer a mix from vinyl to tape
transfer a mix from tape to vinyl
create a stereo mix from a mono mix
create hotter CDs
7
An Offline Bounce...
should be avoided
renders the new file in real time while playing the audio
renders the new file silently in faster-then-real time
can only be done when disconnected from the internet
8
In a typical mastering session...
you might work on EQ & compression before applying brickwall limiting
you should never A/B the song against other songs during mastering
you should apply reverb first
you must always apply brickwall limiting before setting the other processing
9
M-S processing converts L/R stereo audio to...
5.1 surround audio with simulated rear channel ambience
a Mid (sum) channel and a Sides (difference) channel
a Max (high-level) channel and a Soft (low-level) channel
a mono signal to stereo
10
The new level scale used for Loudness Normalization is...
the dB scale
the LUFS scale
the dBu scale
the dBspl scale
11
Multiband compression...
is used in place of brickwall limiting
chains several mastering compressors in sequence
applies independent compression in several frequency bands
is used place of a saturator
12
Which of the following compressors is included with Pro Tools?
Compressor/Limiter III, Channel Strip Compressor and BF-76
BF-76
Channel Strip Compressor
Compressor/Limiter III
13
Mastering activities that can be performed in Pro Tools include:
M-S processing
EQ, compression, brickwall limiting, multiband compression, and M-S processing
EQ, compression, and brickwall limiting
multiband compression
14
What is Mastering?
The same as Mixing
A processing only done for analog media
The process of duplicating a final mix
The final stage of audio production
15
A standard chain for mastering processing would be:
EQ, Limiting, Reverb
EQ, Comrpession, Reverb
EQ, Compression, Limiting
EQ, Delay, Reverb
16
You can implement M-S processing in Pro Tools by...
inserting multi-mono plug-ins between LR->MS and MS->LR plug-ins
exporting the audio to a third-party standalone M-S application
Pro Tools does not include any M-S plug-ins so it can't be done
M/S processing is a myth. It doesn't exist.
17
Two additional processors that might be used in mastering are...
an exciter and a reverb
an enhancer and a slap echo
a chorus and a flanger
delay and reverb
18
Pro Tools' included EQs are:
dynamic EQs
linear-phase EQs
standard minimum-phase EQs
switchable between minimum-phase & linear-phase
19
A vectorscope displays:
the instantaneous level of an audio signal that is passing through
the relative phase between the left and right channels
the dynamic frequency balance of the song
the average loudness over the length of the song
20
When A/B'ing the masters-in-progress against commercial reference tracks...
you should never A/B your track against commercial releases
the average levels should be level-matched for valid comparison
the masters-in-progress should always be 6dB louder than the reference tracks
the masters and reference tracks should be played simultaneously
21
A common approach to mastering compression uses...
a very high Ratio and a very fast Attack
a very high Threshold and a very fast Attack
stacking 5 compressors in a row
lower Ratio and lower Threshold settings
22
Character processors are typically plug-ins that...
remotely control an actual external hardware unit
emulate the sound & response of analog hardware
special effect processors that are applied on top of standard processing
are designed by famous engineers
Pro Tools 105
Mastering Essentials
You have answered
0
out of 22
questions.
You must
login
to take this quiz.
If you do not have an account, please
sign up
.
Get Your Grade
Cancel Quiz
Nice try! Unfortunately you didn't have enough correct answers to pass the quiz. No sweat! You can retake a quiz once per day.
-
-
You need 80% to pass this quiz
Retake Quiz
Back to the Course
View My Grades
Feedback
How are we doing?
We'd love your thoughts, feedback and questions regarding our new site. All feedback is appreciated!
We do not respond to this form! If you need support, please visit our
support page
.
Thank you for your input!
Your message has been successfully sent
Course Advisor
Don't Know Where To Start?
Ask A Course Advisor
Ask Us!
Copy the link below and paste it into an email, forum, or Facebook to share this with your friends.
copy
Make money when you share our links
Become an Ask.Video Affiliate!
The current affiliate rate is: 50%
Sign Up
Facebook
Twitter
Linkedin
Google+
Reddit
Pinterest
Classes Start Next Week!
Live 8-week Online Certification Classes for:
Logic Pro X
Learn More
Ableton Live
Learn More
Bitwig
Learn More
