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Take a 17 question quiz to test and certify your knowledge of the tutorial-video course
Deconstructing the Beatles 101 - Chords and Progressions.
Get a mark of 80% or higher to pass this quiz!
1
Hey Jude's coda is an example of...
A shift to the relative minor key
The Heart and Soul sequence
Holding on to the dominant
A double plagal cadence
2
The typical chords in the Twelve Bar Blues are...
I, V, VI
I, IV, V, VI
I, IV, and V
I, II, IV, and V
3
A plagal cadence is
vi-V-I
IV-iv-I
V-I
IV-I
4
You can use the minor III chord....
All answers are correct
As a substitute for vi in the Heart and Soul pattern.
As a passing chord walking down from IV to I
As a passing chord walking up from I to IV
5
Day Tripper builds tension in the bridge by...
All answers are correct
Multiple repeats of the main riff
Holding on to the dominant for twelve bars
Guitar notes that move up the scale one measure at a time
6
The circle of fifths...
Contains only major chords
Determines what chords can be used in a song based on the song's key
Is the only way to move from one chord to another
Defines relationships between the twelve chromatic notes and their associated major and minor keys
7
The relative minor of Bb major is
D minor
G major
F minor
G minor
8
Savoy Truffle was written about the sweet tooth of...
Brian Epstein
George Martin
George Harrison
Eric Clapton
9
If a D7 chord is a non-functioning secondary dominant it moves to...
C minor
E major
Anywhere other than G major or G minor
F major
10
If a song is in C major and it's bridge is in the relative minor, the bridge is in...
A minor
D minor
C minor
F minor
11
The flat III chord is often used...
To walk up from I to IV
As a secondary dominant
To pivot to the parallel minor
To pivot to the relative minor
12
The typical Heart and Soul sequence is...
I-vi-IV-V-I
I-ii-V-I
I-IV-V-I
I-vi-V-IV-I
13
A typical example of a deceptive cadence is...
I-IV-III
V-IV-V
I-V-vi
I-II-III
14
If a song is in C major and its bridge is in the parallel minor, the bridge is in...
D minor
F minor
A minor
C minor
15
Holding on to the dominant means....
Staying on the V chord and delaying the return to the IV chord.
Switching instruments in the middle of a song
Staying on a V chord and delaying the return to the tonic (I chord).
Repeating a bass note
16
The dominant chord is formed from which degree of the major scale?
Three
Four
Five
One
17
A D7 chord is a secondary dominant of...
A major or A minor
Bb major or Bb minor
G major or G minor
C major or C minor
Deconstructing the Beatles 101
Chords and Progressions
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