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Take a 25 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 102 - The Wind Section.
Get a mark of 80% or higher to pass this quiz!
1
Muting woodwinds:
is usually unnecessary.
requires a specially constructed mute.
may require removing the reed in double-reed instruments.
is needed in order to really play softly.
2
The best part of an oboe range is in its:
high register.
bottom half-octave.
middle register.
chalumeau register.
3
What is Thomas Goss's definition of orchestration?
Bringing together different elements into one cohesive structure.
Arranging for the orchestra.
Composing a score with different instruments in it.
Managing voices.
4
The piccolo:
is owned by most professional flute players.
is pitched two octaves above the alto flute.
has the same exact written range as the standard flute.
is a second-level auxiliary.
5
The following instruments use vibrato as their standard approach:
flutes and oboes.
oboes. clarinets, and bassoons.
flutes, oboes, and bassoons most of the time.
flutes, oboes. clarinets, and bassoons.
6
Niente articulation:
requires a tongueless attack.
is achieved most successfully on oboes and flutes in their lower register.
is easily balanced between all wind instruments.
is achieved most successfully on clarinets and flutes in their lower register.
7
What is legato?
playing in a "singing" style.
the same exact definition as "phrasing."
The essence of playing seamlessly through a series of notes.
slurring a group of notes together.
8
If an instrument is tuned to B-flat:
when it reads a C, it will play a B-flat.
when it reads a B-flat, it will play a B-flat.
when it reads a B-flat, it will play a C.
when it reads a C, it will play a D.
9
"à 2" means:
"with two players on separate voices."
"divisi."
"with two players on a single voice."
"with the second player on."
10
The most difficult trills and tremolos are those that involve:
extension keys and changes of register.
overblowing.
throat tones.
trill keys.
11
The dynamic arc of the winds is:
capable of the incredible overall control of the strings at very low volume.
able to match the intensity of the brass in projection and sheer power.
halfway between the strings and the brass.
12
The basic building-block of the orchestra is the:
wind section.
percussion section.
brass section.
string section.
13
Which of the following statement is true?
The bass clarinet has the exact same lower written range as the B-flat standard clarinet.
The bass clarinet is a widely-used second-level auxiliary.
The bass clarinet can now reach all the way down to written low B-flat.
The bass clarinet can stabilise the horns and anchor the wind section.
14
Which effect does NOT require alternate fingerings?
Key clicking.
Trills.
Multiphonics.
Harmonics.
15
The clarinet can actually:
play higher than the oboe.
play lower than the bassoon.
play higher than the piccolo.
play higher than the flute.
16
Supported exhalation combines the following muscle groups:
the abdominals, the internal and external intercostals, and the diaphragm.
the abdominals and the internal and external intercostals.
the abdominals, the external intercostals, and the diaphragm.
the abdominals and the diaphragm.
17
The oboe has:
the same exact strengths of register as the English horn.
easy-to-play extreme high notes.
a family whose instrumental ranges cover two octaves in difference.
one of the narrowest ideally functional ranges of the entire wind section.
18
The bassoon:
has a range of three-and-a-half octaves.
has many commonly-used auxiliaries, such as the tenoroon and sarrusophone.
can play a low B-flat when the A extension is inserted.
is the lowest standard member of the oboe family.
19
A cylindrical bore is combined with a parabolic curve in the design of the:
saxophone.
flute.
clarinet.
oboe and bassoon.
20
The clarinet:
is an instrument whose fundamental tones vibrate as a half consonance.
overblows the 4th partial in the clarino register.
is a typical example of "open pipe" construction.
behaves like a closed pipe because of its conical bore.
21
How many scores should an orchestral composer read?
A few to get started, then no more are needed.
Hundreds over the course of a lifetime.
Thousands over the course of a lifetime.
Just the ones in these courses.
22
How much more is there to learn after this course?
Nothing more.
Quite a bit.
A little more.
23
Dynamic inflections are managed by changes in the rate of airflow. True or false?
True
False
24
Some wind instruments require transposition because:
their instruments' registers are essentially homogeneous.
their players may play all models in a family with the same fingering applying to the same staff positions.
their players can't read in C.
25
The standard clarinet voicing position resembles the vowel sound:
"ee."
"oh."
"er" or the German "oe."
"ah."
Orchestration 102
The Wind Section
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