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Take a 25 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 102 - The Wind Section.
Get a mark of 80% or higher to pass this quiz!
1
If an instrument is tuned to B-flat:
when it reads a B-flat, it will play a C.
when it reads a C, it will play a D.
when it reads a B-flat, it will play a B-flat.
when it reads a C, it will play a B-flat.
2
The dynamic arc of the winds is:
able to match the intensity of the brass in projection and sheer power.
capable of the incredible overall control of the strings at very low volume.
halfway between the strings and the brass.
3
The piccolo:
is pitched two octaves above the alto flute.
is owned by most professional flute players.
is a second-level auxiliary.
has the same exact written range as the standard flute.
4
Some wind instruments require transposition because:
their instruments' registers are essentially homogeneous.
their players can't read in C.
their players may play all models in a family with the same fingering applying to the same staff positions.
5
Supported exhalation combines the following muscle groups:
the abdominals, the internal and external intercostals, and the diaphragm.
the abdominals and the diaphragm.
the abdominals, the external intercostals, and the diaphragm.
the abdominals and the internal and external intercostals.
6
Niente articulation:
is easily balanced between all wind instruments.
is achieved most successfully on clarinets and flutes in their lower register.
requires a tongueless attack.
is achieved most successfully on oboes and flutes in their lower register.
7
The best part of an oboe range is in its:
high register.
middle register.
chalumeau register.
bottom half-octave.
8
"à 2" means:
"with two players on a single voice."
"divisi."
"with the second player on."
"with two players on separate voices."
9
The oboe has:
one of the narrowest ideally functional ranges of the entire wind section.
a family whose instrumental ranges cover two octaves in difference.
the same exact strengths of register as the English horn.
easy-to-play extreme high notes.
10
How much more is there to learn after this course?
Quite a bit.
Nothing more.
A little more.
11
The following instruments use vibrato as their standard approach:
flutes, oboes, and bassoons most of the time.
flutes and oboes.
oboes. clarinets, and bassoons.
flutes, oboes. clarinets, and bassoons.
12
Which of the following statement is true?
The bass clarinet has the exact same lower written range as the B-flat standard clarinet.
The bass clarinet can stabilise the horns and anchor the wind section.
The bass clarinet is a widely-used second-level auxiliary.
The bass clarinet can now reach all the way down to written low B-flat.
13
Fork fingering is accomplished by:
cracking a tone-hole to raise the pitch by a half-step.
closing tone-holes below an open hole to raise the pitch by a half-step.
closing tone-holes below an open hole to drop the pitch by a half-step.
cracking a tone-hole to lower the pitch by a half-step.
14
How many scores should an orchestral composer read?
Just the ones in these courses.
Thousands over the course of a lifetime.
Hundreds over the course of a lifetime.
A few to get started, then no more are needed.
15
The standard clarinet voicing position resembles the vowel sound:
"oh."
"er" or the German "oe."
"ee."
"ah."
16
Muting woodwinds:
is usually unnecessary.
may require removing the reed in double-reed instruments.
is needed in order to really play softly.
requires a specially constructed mute.
17
Dynamic inflections are managed by changes in the rate of airflow. True or false?
False
True
18
The standard seating for winds, clockwise from the nearer left of the conductor:
oboes, clarinets, bassoons, flutes.
clarinets, flutes, bassoons, oboes.
flutes, oboes, bassoons, clarinets.
flutes, clarinets, bassoons, oboes.
19
Which effect does NOT require alternate fingerings?
Trills.
Multiphonics.
Harmonics.
Key clicking.
20
What is Thomas Goss's definition of orchestration?
Bringing together different elements into one cohesive structure.
Managing voices.
Composing a score with different instruments in it.
Arranging for the orchestra.
21
Tonguing the syllables "duh" and "the" result in:
marcato.
fortepiano accents.
portato.
staccato.
22
The most difficult trills and tremolos are those that involve:
overblowing.
throat tones.
extension keys and changes of register.
trill keys.
23
The immediate predecessor to the oboe is called:
the recorder.
the dulcian.
the shawm.
the hautbois.
24
The bassoon:
can play a low B-flat when the A extension is inserted.
has many commonly-used auxiliaries, such as the tenoroon and sarrusophone.
has a range of three-and-a-half octaves.
is the lowest standard member of the oboe family.
25
A cylindrical bore is combined with a parabolic curve in the design of the:
clarinet.
oboe and bassoon.
saxophone.
flute.
Orchestration 102
The Wind Section
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