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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Which of the following is a common kick mic known for its punch and body?
Shure SM7B
Sennheiser e906
Audix D6
Shure SM57
2
Kick In mics are almost always a __________ mic.
Electret
Large Diaphragm Dynamic
Ribbon
Large Diaphragm Condenser
3
Which of the following overhead techniques has the widest stereo image?
ORTF
Spaced Pair
XY
Glyn Johns Variant
4
Which type of miking limits the pickup range of the mic on drums?
Off-axis
Distant
Close, on-axis
5
Snare side mics are typically:
Large Diaphragm Condensers
Dynamic Mics
Ribbon Mics
Small Diaphragm Condensers
6
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
ORTF
NOS
Blumlein
XY
7
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, and centers the snare
Reduces phase issues, but makes the snare off-center
Increases phase issues, but centers the snare
8
Peak drum levels should typically be set around:
-3 to -9 dBFS
0 to -3 dBFS
-20 to -30 dBFS
-30 to -50 dBFS
9
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
2000 Hz
50 Hz
500 Hz
100 Hz
10
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Requires phantom power
Has a high pick up range
Has a high pass switch
Clips on the rim of the drum
11
The classic Glyn Johns technique uses:
2 overheads
12 microphones
1 overhead, 1 side, 1 kick, 1 snare mic
1 overhead and 1 side mic
12
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
True
False
13
Which mics give the drum kit a sense of depth and 3D space?
Overheads
Close Mics
Snare Side and Kick Out
Room Mics
14
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
15
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
False
True
16
Where is most of the hi-hat heard in most drum mixes?
The overhead mics
The room mics
The hi-hat mic
The snare mic
17
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
True
False
18
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Large Diaphragm Condenser
Ribbon
Large Diaphragm Dynamic
Small Diaphragm Condenser
19
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Shorter
Longer
20
Low level signals will be affected the same a high level signals running through a compressor. True or false?
False
True
21
Blending the Wet and Dry signal in a compressor applies:
FET compression
Multiband compression
Opto compression
Parallel compression
22
How should condensers be aimed for bongos and congas?
At the center of the drum, 6 inches away
At the rim, 8-12 inches away
At the center of the drum, 12 inches away
23
Which type of filter is helpful for reducing pedal noise on the hi hat?
Low Pass
High Pass
Bandpass
Notch
24
When recording live drums, it's common to blend close mics with distant mics. True or false?
True
False
Logic Pro 503
Studio Series - Recording Drums
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