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Take a 20 question quiz to test and certify your knowledge of the tutorial-video course
Music Theory 302 - Jordan Rudess: Rhythm Explored.
Get a mark of 80% or higher to pass this quiz!
1
The "Dream Theater Turnaround" happens on just about every Dream Theater record. True or false?
False
True
2
Polyrhythm is two (or more) ______ played against each other.
scales
rhythms
chords
time signatures
3
What is the "Dream Theater Turnaround"?
A I-♭III-♭VI-♭II7 chord progression played in 7/8
An idea where you turn a 6/8 feel into 3/4
A V-IV-I chord progression at the end of a section which leads to the next section
A short chord progression at the end of a section which leads to the next section
4
When you are holding a note for 4 beats, you are playing a...
long note
whole note
quarter note
half note
5
How can you stay in 4/4 and give the impression of using a lot of time signatures?
By using rhythmic anticipation
By playing very fast
You can't!
By changing accents
6
How can you practice Jordan's Brain Twister?
You play a 5 over 3 polyrhythm
You start by playing quarter notes and you add one more division every beat
You play displaced septuplets in 7/8 with a latin feel
You clap your hands on the 2 and 4
7
What is the most common way to play in 7/4?
In 4 and 3
In 2 and 5
In 3 and 4
In 5 and 2
8
If you're playing a pattern of 5 ascending notes in a group of 4 you are:
using displacement
using rhythmic motion
playing quintuplets
playing in 5/4
9
If you put five divisions to the beat...
you are playing in 5/8
you shouldn't be playing music
you are using a pentatonic scale
you are playing quintuplets
10
What is the most simple meter in music?
1/4
Compound meter
4/4
7/8
11
Half notes are held for:
2 beats
half of a beat
2 measures
1 beat
12
As human beings, we feel very comfortable with:
Syncopation
Polyrhythms
Patterns and repetition
Rhythmic anticipation
13
When playing with a latin type of feel, the bass is always on the beat. True or false?
True
False
14
Which composer was known to mix quintuplets, triplets, sixteenth notes, etc.?
Ludwig van Beethoven
Frank Zappa
Johann Sebastian Bach
Quincy Jones
15
What is the most common way to play in 5/4?
In 4 and 1
In 1 and 4
In 3 and 2
In 2 and 3
16
What technique are you using if you're playing simple chords right on the beat every measure, and then you accent a chord right before the beat?
Mixed Grouping
Syncopation
Rhythmic Anticipation
Displacement
17
If you're playing 3 eight notes followed by 2 eight notes in a measure, you are playing in:
3/4 time
5/8 time
Don't play that. Always stay in 4/4... it's safer!
7/8 time
18
No matter how complicated it gets, you can usually break down any rhythms into:
accents
melodic patterns
groups of two and three notes
quarter notes
19
Adding rhythmic motion between the chords is a little like strumming on a guitar. True or false?
False
True
20
When playing Polyrhythms...
none of the notes are played together, except on the last beat
none of the notes are played together, except on the 1st and last beats
none of the notes are played together
none of the notes are played together, except on the 1st beat
Music Theory 302
Jordan Rudess: Rhythm Explored
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