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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
1
The E-flat clarinet should be used...
for playing any high clarinet solo passage.
especially for its rich low register.
instead of piccolo flute wherever possible.
for its specific timbre in any given register.
2
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
False
True
3
The bassoon's low register comprises 20 fundamental tones. True or false?
True
False
4
The bassoon's tone...
gains richness toward the top and loses richness toward the bottom of its range.
is equally rich throughout its range.
gains richness toward the bottom and loses richness toward the top of its range.
is richest in its middle register.
5
The contrabassoon's projection...
can be easily swamped by the lower brass.
is louder than the lower brass.
is about equal to the lower brass.
6
The lowest note of the tenor saxophone reaches...
a major 3rd below the lowest note of the viola.
a minor 3rd below the lowest note of the viola.
an octave below the lowest note of the viola.
an octave above the lowest note of the bassoon.
7
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
False
True
8
The contrabass clarinet sounds...
an octave and a major 6th lower than the B-flat clarinet.
two octaves and a major 2nd lower than the B-flat clarinet.
a major 9th lower than the B-flat clarinet.
two octaves lower than the B-flat clarinet.
9
In Tchaikovsky's 6th Symphony, the bass clarinet is often called upon to...
substitute for solo clarinet.
dove-tail a phrase from solo oboe.
substitute for solo English horn.
substitute for solo bassoon.
10
Clarinets don't use vibrato in their normal approach to playing concert music. True or false?
True
False
11
The A clarinet...
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
has a much much darker sound than the B-flat clarinet.
is largely unnecessary in concert music scoring.
is chiefly used for the ease of fingering sharp keys.
12
The German system of bass clef notation...
uses bass clef sounding down a major second, and is the preferred approach.
uses bass clef sounding down a major second, and should no longer be used.
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major ninth, and should no longer be used.
13
Bassoons sound great in alliances...
with nearly every other instrument in the orchestra.
only with lower string instruments like cellos and double basses.
only with other members of the wind section.
only with lower brass instruments like trombones and tubas.
14
The best way to hold onto the information you've learned in this course is to...
move quickly on to studying the brass section because woodwinds don't matter.
get an orchestration manual, score-read, and compose for musicians directly.
watch this course over and over and don't worry about anything else.
15
A good rule of thumb in scoring orchestral saxophones is to...
avoid similar-sounding instruments when you want to highlight the part.
join with similar-sounding instruments for a less integrated texture.
use similar-sounding instruments when you want to highlight the part.
always treat saxophones as soloists and never try to blend them.
16
The unison doubling of two exposed clarinets...
sounds cutting and trumpet-like.
has a phased sound.
blends together imperceptibly as a single tone.
17
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
True
False
18
The buzzy, reedy quality of the saxophone tends to get...
stay the same throughout the ranges and registers of all saxophones.
less pronounced the lower the pitch of the note and range of the instrument.
more pronounced the lower the pitch of the note and range of the instrument.
19
The basset horn's written notes sound...
down a major 6th like alto clarinet and alto saxophone.
down an octave like bass clarinet.
down a minor third like oboe d'amore.
down a perfect 5th exactly like the French horn and English horn.
20
There are three individual families of orchestral woodwind instruments. True or false?
False
True
21
The clarinet's low range...
is composed of highly compressed partials.
tends to honkiness like the oboe's lower register.
tends to be weaker and more wavering like the flute's lower register.
has a smooth level of projection throughout.
Orchestration 104
Clarinets, Saxophones and Bassoons
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