Learn how to get some crazy pitch modulation effects going in Logic Pro with this step-by-step tutorial by Gary Hiebner. Traditionally used on guitars, who can apply them any type of sound you wish!
What separates Logic Pro from Pro Tools and other traditional DAWs? Not just its high quality instruments and effects, but also the power in its Environment. Ruari Galbraith gets environmental.
Pro Tools aficionados will be used to dealing with split stereo files. For Logic users, working with interleaved files has been the norm. So, what if you need to isolate each channel in Logic Pro?
There's a multitude of plug-ins, loops and instruments begging to be used in your next track. Ever wondered whether you can use one synth only in your next production? Gary Hiebner gets all minimal.
Navigating complex, or even simple, projects in Logic can be a pain if you use a mouse! With a number of useful workflows at your disposal, Jay Asher demonstrates how Markers can simplify the process.
If you tuned in and downloaded the FREE ES2 patches by Mo Volans back in July 2012 you'll have come across a lovely distorted synth bass. Discover how to program this patch from scratch in Logic Pro!
Wobble? Wub-wub-wubub-wub. You guessed it we're talking Dubstep and how to change LFO rates by pressing a MIDI note in Logic. David Earl shows how using Logic's Environment everyone can wobble.
We've all heard it: rhythmic stutters on a Trance pad or a chopped-up pumping synth line. Wouldn't it be great to know how to make this effect? Darren Burgos demonstrates 3 ways to get gating in Logic
Did you know there's a little known utility bundled with Logic Studio that allows you to create your own Apple Loops? Mo Volans gets looping with ease.
Get down and dirty with GW Childs as he explores the simpler side of synth programming of Logic Pro's ES M. Starting with a clean, pure bass he shows how to add some grime!
Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
With 24-bit digital recording and better analog to digital converters than ever before, is there any point using dynamic processors when recording? Mike Watkinson examines the benefits.
Logic Pro is a deep music production platform with multiple ways to get from A to Z! In this article Mo Volans uncovers two paths for parallel processing in Logic. Which route will you choose?
Bring back the 80's - all is forgiven'¦ well, almost everything. Toby Pitman travels back in time, using Logic Pro, to re-create the (in)famous 80's style drum effects.
Logic 9.1.6 is now available exclusively on The App Store and it's less than $200 '" 60% cheaper than before... and ALL MPV Logic tutorial-videos are now 60% cheaper, too!
Parallel/New York Compression is all the rage right now to make that pumping sound but Serial Compression can also create impressive results. Gary Hiebner looks into the dynamics of audio!
For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.
Sound design is one of the most fun pursuits on the planet. And with Logic Pro it's possible to create some truly unheard-of sound effects. Mo stretches, crushes, modulates, and filters his voice
In our digital DAW studios it's easy to ignore the virtual cables carrying audio signals. But understanding signal flow can lead to a greater degree of control over your sound. Peter Schwartz sums up.
In the second part of this Hub series, Peter Schwartz removes the shackles of confusion that many Logic users still have regarding Link Modes. Learn how to make the different link modes work for you.
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.