Logic Pro X's Sampler is a complete redesign of the classic EXS24 software instrument. Joe Albano details six of the best new features every producer should know about.
Whether you're a music producer or sound designer learning subtractive synthesis can take you a long way using many hardware and software synthesizers.
Whether you’re looking to subtly enhance dull sounds, add convincing analog grit or extreme distortion, or even drastically mangle your sounds beyond comprehension, Live’s Saturator has you covered.
Whle Apple's GarageBand is a very powerful and capable digital audio workstation in its own right, here's seven reasons why you might wish to see it as a stepping stone to Logic Pro X.
Joe Albano take sus through the ins and outs of creating aggregate audio devices for Mac users and explains why and in what situations you'd want to consider doing this.
Joe Albano takes us beyond the basics of inline audio processing and shines a light upon parallel processing and the benefits and uses of using sends and returns when mixing with reverb.
In this short series, master musician Matt Vanacoro takes us through the basics of getting started using Auto-Tune with some helpful tips and tricks veteran producers will find useful too.
Modern computers are capable of handling the demands of audio production, but there are still recommended minimum requirements and optimizations that need to be taken into account for reliability.
Live Looping gives Logic users access to cell-based production and live performance possibilities, similar to Ableton Live and Bitwig Studio. Matt Vanacoro shows how easy it is to get started.
For existing UA Console and Universal Audio plug-in users, Luna provides a step up. Matt Vanacoro shows how this powerful music recording software can streamline your studio workflow.
Understanding how to create an incredible remote, collaborative, virtual musical performance is as relevant now as it was in the midst of the Covid pandemic. Matt Vanacoro shows us how.
Joe Albano investigates the chicken or egg situation for music producers... which effects should go first in your plug-in chain? Compressor or EQ, reverb or delay?
Whether you’re chatting, being interviewed or full-on recording music over the internet, here are some tips to make sure it all goes smoothly and sounds as good as it can.
