If you want to take your mixes to the next level and are willing to put in a little time and effort, automation instead of compression is going to give you the edge you've been looking for.
You may have seen blend.io if you're interested in a music collaboration network where you can share and collaborate on tracks. Well, blend.io has joined forces with Music Marcom for more exposure.
It doesn't matter what DAW you use. You'll hear advice from others recommending you create templates. Jay Asher is aware you might resist it and explains why you should really consider it!
If you've got Bitwig Studio, you're likely to be impressed with the workflow and effects. In this tutorial, Gary Hiebner shows how to create morphing instruments using Bitwig's XY instrument.
As the world becomes smaller and more studios and artists collaborate with each other remotely, it's important to grasp how to share audio files and projects over the net. Paul Wickliffe investigates.
We caught up with legendary underground DJ & producer, John OO Fleming, to chat about his new 4-hour long album, DJing, Tech and more! Interested in DJing/producing? Read this now!
It's probably never been harder to make money from music. Don't rely on album sales (not recommended!) instead Hollin shares how to get your tunes synced, or used in film, TV, games and adverts.
Is it too late to get the Spring edition of the most exciting and cutting edge magazine for music makers? Fortunately, not! Due to high demand we're offering subscriptions for the Spring issue again!
We often think that more than two speakers or monitors are required in order to create a 3-dimensional music mix. In fact, you can do so with a humble two-speaker system. Paul Wickliffe explains how.
Most of us have an in-the-box software-based solution for recording, editing and mixing. And that's great. But, if you're missing that analog warmth, here's how you can add that to your DAW setup.
Peter Amato (LeAnn Rimes, Ricky Martin, Michael Bolton) claims: 'If you can't come up with something with Temptress, you just need to quit!' Words which make us even more curious about this plug-in.
G. W. Childs shares a useful tip for how to break down tricky melodies (maybe your own or from a song you've heard) using your DAW to help you learn how to play it more easily.
Chances are if you're reading this you make music in some form or another. Have you ever asked yourself the underlying motivation behind this for you? Are you in it for the fame? Fortune? Or, the fun?
Simple ideas can be the most powerful. In this article Gary Hiebner suggests some obvious yet effective ways to diversify your compositions & music productions by implementing other genres & styles.
Some of us don't find Christmas to be the most enjoyable time... if you'd prefer to hibernate through the next couple of days we can help! G. W. Childs shows how sound can put you to sleep.
Producing memorable music is more than writing great lyrics and music, making pristine recordings and mixing the track with precision. Performance, emotion and feeling are crucial for vocals too.
What is a musician's most important body part? Voice? Fingers? Arms? Feet?? Nope! Your ears! And, these vital tools need protecting even more than our precious studio gear. Lynda Arnold explains.
Put away your mics and forget about hiring that upright acoustic piano (for now!)... Native Instruments' The Giant piano instrument is here to provide a realistic alternative as Hollin Jones find out.
Matt is a distinguished educator and lecturer at state and national conferences on music technology & education. He's got a wealth of experience playing with famous musicians and consulting in MI.