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Take a 20 question quiz to test and certify your knowledge of the tutorial-video course
Audio Concepts 203 - Advanced Metering.
Get a mark of 80% or higher to pass this quiz!
1
In a DAW channel, an Exponential meter scale...
has wider spacing per dB at the bottom of the meter
has equal spacing per dB
has wider spacing per dB at the top of the meter
2
What is the Loudness War?
A reference to the practice of turning an amp up to eleven
A reference to the practice of Loudness Maximizing
A reference to the different loudness standards for Broadcast and Music
A reference to the practice of listening to music very loud when mixing or mastering
3
A Spectrogram shows...
variations in the overall left-right balance of a mix
amplitude, frequency, and time
phase differentials between the left and right channels
pitch, rhythm, and harmony
4
VU Meters, Peak Meters and Oscilloscopes are available in both analog and digital metering. True or false?
True
False
5
The ITU BS.1770 broadcast loudness recommendations are the backbone for several mandated loudness standards. True or false?
True
False
6
An Oscilloscope display (or the display in a DAW;s Region/Clip) shows...
amplitude vs frequency
frequency vs time
amplitude vs time
7
The Oscilloscope, Vectorscope, Goniometer, Correlation Meter, Peak Meter, and VU Meter are ALL audio meters. True or false?
True
False
8
0 dBu is equivalent to 0 dBfs. True or False?
False
True
9
A Spectrum Analyzer...
can shows the audio as a continuous line or in segments (i.e. third-octave)
is often included in an EQ plug-in
is a realtime display of frequency vs amplitude
shows phase information for the left and right channels
10
When Recording into a DAW...
levels should max out at around -6dBfs or less
levels should be pushed slightly into the red (>0dBfs) for digital warmth
levels should always be at least -1dBfs
11
A Gain-Reduction meter...
reduces a signal's dynamic range
indicates the correct level to set in the Stereo Master channel
shows the amount of attenuation when a compressor is active
indicates the maximum level of the audio signal in the Stereo Master channel
12
A Spectrogram in a Virtual Instrument
can be used to automatically tune multi-samples to correct pitch
can be used to fix pitch anomalies in the samples in a virtual instrument
can be used to extract sounds embedded in a complex audio wave
can be used to shape the tone of various instrument patches
13
Streaming services Spotify, Tidal, and YouTube have not adopted any standards for average streaming levels. True or false?
True
False
14
A Vectorscope shows...
phase information for the left and right channels
pitch information for the left and right channels
frequency information for the left and right channels
the audio as a continuous line or in segments (i.e. third-octave)
15
LUFS is an acronym for...
Loudness Units Full Sampling
Loudness Units For Stereo
Level Units For Stereo
Loudness Units (referenced to) Full Scale
16
Spectral Editing
can be used to shape the tone of various instrument patches
can automatically calculate the best EQ for an audio track in a mix
can be used to automatically pitch-correct audio recordings
can be used to extract sounds embedded in a complex audio wave
17
The traditional recommendation for the Stereo Master fader is...
to always be lowered by at least 24dB or more
to be automated based on the levels of the different musical sections in a song
to always be left at Unity Gain
to always be lowered by at least 12dB or more
18
A Balance Meter shows...
phase information for the left and right channels
variations in level when compression is being applied
variations in the overall left-right balance of a mix
variations in level between the different tracks in a multi-channel mix
19
A True Peak meter...
averages the level of all peaks for a true peak reading
factors in potential inter-sample peaks
only shows peak overages that will sound noticeably distorted
20
What is a Transient?
The brief (~10-20ms) impact at the beginning of a (percussive) sound
The range between the noise floor and the maximum output level
The low-level sustain or decaying portion of a sound
An individual with no fixed address
Audio Concepts 203
Advanced Metering
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