So you recorded your MIDI score and can’t wait to hear it played by a live orchestra. What’s the next step? Join music composer Olajide Paris in this new updated course, and learn how to transform your MIDI data into a full score.
Nowadays, orchestral music recorded with MIDI in a DAW can sound fantastic, but there’s nothing like music played by real musicians. In this second instalment of the Orchestral Session series, music composer Olajide Paris covers the special preparation work needed to transform your MIDI score into data that a notation program can use.
In this course, Olajide Paris covers essential techniques and strategies to speed up your orchestration prep work. Topics such as when to use region-based vs. event-based quantization, how to deal with dedicated runs libraries so they correctly translate to the score, and how to consolidate MIDI parts are all covered. Olajide also discusses how to create individual parts from ensemble patches, what important housekeeping steps need to be done before exporting, why you should know about the alternative music XML format, and more... In the last section, you learn about the challenges and considerations when orchestrating for the scoring stage, where you learn to import MIDI prepared from a DAW into Sibelius and Finale, and you get a walkthrough of a completed orchestral score!
After watching this course by Olajide Paris, you’ll have a firm grasp of all the techniques needed to transform your composition into a clean MIDI file that can be used to create a full score.
This is a clear and concise beginner-level course for media composers. For people who already have experience in the field it might not give much new information but for those starting out it might be helpful. Well presented and prepared from mr. Paris.
Gerald B. wrote on January 16, 2018
Very good instructor. Writing music for an orchestra is a big challenge. He gave a very good introduction for how to take the first steps. This is a very interesting subject. Especially if your talented enough to write a score that is good enough to make the beautiful sounds an orchestra can make.