Get creative with side chaining in Logic Pro. Mike Watkinson shows two different ways to set this up, with the focus on using this imaginatively in your musical projects.

Hum or sing rough melody lines into Logic Pro and then learn how to transform them into synth, bass lines, or much more. Gary Hiebner shows you how in this fascinating workflow exposé.

What are the benefits to recording the fx direct to audio recording in Logic or any DAW? Why would you want to do this and how would you set it up? Jay Asher talks the theory and shows you how!

If you tuned in and downloaded the FREE ES2 patches by Mo Volans back in July 2012 you'll have come across a lovely distorted synth bass. Discover how to program this patch from scratch in Logic Pro!

Talking basses aren't new, but they're seeing a revival in musical styles, from Dubstep to pop. Gary Hiebner demonstrates how to get that vowel, formant, talking bass style synth using Logic Pro's ES2

Jay Asher continues to share his vast practical experience using Logic Pro professionally with this excellent article on working with rhythmic display in time signatures in Logic Pro's Score Editor.

Question: What brings about more fun (and learning) in the music classroom than 2 iPads? Answer: 2 iPads plus Logic Pro. Adam Goldberg shares his special needs music lesson experience in this article.

You've just played the performance of a lifetime but Logic was in playback, not record, mode. All is not lost! Rounik Sethi shows you how to recall your last played MIDI or audio performance!

Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!

Panpots in Logic don't behave the same for mono and stereo channel strips. Peter Schwartz gets to the heart of the mix in Logic Pro and demystifies pan and balance in this excellent article.

Once you've recorded MIDI notes into Logic Pro there's a host of ways to alter the performance. Darren Burgos examines how to make use of the Region parameters area. + download Logic Project.

In Logic Pro there doesn't seem to be an easy way to randomize or humanize a MIDI performance. Jay Asher uncovers the Transform window where you'll find many excellent ways to manipulate MIDI.

Made a mistake when recording? No problem. Mike Watkinson shows how the old skool method of punching in and punching out in Logic Pro can be used to make it sound perfect.

Pedalboard in Logic Pro isn't just of guitarists. In this article, Mo Volans demonstrates how beats and drums can be processed with the suite of guitar style pedals for interesting effects.

One of the more unexplored areas of Logic Pro, the Environment, holds some of the most rewarding features. One of these, Touch Tracks, is widely unexplored'¦ until now, thanks to David Earl!

The folks at VSL have created an ingenious solution to loading large libraries outside of an application. Logic composer and guru, Jay Asher, shows how Vienna Ensemble Pro and Logic Pro can gel.

White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.

Logic 9.1.6 is now available exclusively on The App Store and it's less than $200 '" 60% cheaper than before... and ALL MPV Logic tutorial-videos are now 60% cheaper, too!

For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.

In the second part of this Hub series, Peter Schwartz removes the shackles of confusion that many Logic users still have regarding Link Modes. Learn how to make the different link modes work for you.

There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.