Talking basses aren't new, but they're seeing a revival in musical styles, from Dubstep to pop. Gary Hiebner demonstrates how to get that vowel, formant, talking bass style synth using Logic Pro's ES2
Few artists are able to influence the direction of electronic music while remaining innovative and exploratory. D.Ramirez, though, is one such producer. In this interview he talks tech with MPVHub.
Get down and dirty with GW Childs as he explores the simpler side of synth programming of Logic Pro's ES M. Starting with a clean, pure bass he shows how to add some grime!
Jay Asher continues to share his vast practical experience using Logic Pro professionally with this excellent article on working with rhythmic display in time signatures in Logic Pro's Score Editor.
Question: What brings about more fun (and learning) in the music classroom than 2 iPads? Answer: 2 iPads plus Logic Pro. Adam Goldberg shares his special needs music lesson experience in this article.
Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!
There's hope if your keyboard skills can't keep pace with your musical ideas! Darren Burgos explores how recording MIDI in Logic Pro's cycle mode can alleviate stress and make you more creative.
Check out this excellent tip on how to use Logic Pro's Ringshifter plug-in to create a variety of guitar effects like the Boss Octaver and the Octafuzz. Toby Pitman gets creative.
The folks at VSL have created an ingenious solution to loading large libraries outside of an application. Logic composer and guru, Jay Asher, shows how Vienna Ensemble Pro and Logic Pro can gel.
White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.
Logic's Tape Delay is one of the original effects, and still one of the best for emulating that tape-based analog dub feel. Mo Volans uses it for some 'wow' and 'flutter'.
Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?
Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.
Lofts have become very chic in the last several years, and with good reason. They look cool, modern, but have a simplicity to them. And we all wish to add some simplicity to our lives, right? Not long
In the first part, we showed you how to create the basic stencil layer and paint on the spray paint in real time. In Part 2 of this tutorial, we'll be setting up the masking for the spray paint stenci
When producing sequenced patterns for any style of music, one of the main challenges is introducing perceived pace and energy to your work. Luckily there are a few simple tricks we can use here...
A while back I was wrestling with trying to correct phase for my microphone set up. The microphones all had a different distance between one mic to another. This would not have been such a big deal wi
Over the coming weeks I'm going to go over some of Logic Pro's quantizing features and hopefully shed some light on some of the more advanced aspects of these powerful time correction tools.
Logic's f
Not enough bottom end in your mix? Kick drum a bit weedy, thin or disappointingly lightweight? Using Logic Pro's SubBass plug-in is a well documented method for synthesising very low frequencies where
There's no doubt that ring modulation is one crazy effect. It's this craziness that sometimes stops people from using the process in everyday mix situations, but with a little restraint and the right